For me, at least, that's not at all it. It has nothing to do with wanting "answers," or need to know where Baby Yoda is from, or whatever. Is that stuff interesting? Absolutely. But it's not what I'm here for. I would be totally fine with four filler/monster-of-the-week episodes in a row as long as they included one thing...
CHARACTER DEVELOPMENT
But they hardly ever do. In other words, Mando seems to have no other wants/desires beyond delivering Baby Yoda to a person/location. That's basically all he is: a manifestation of a pursuit of a singular, video game-like goal. He has no blatant flaws in need of changing. Nor does he have an ideal he's championing to try and change the world around him. To the former, the show seemingly has no interest in challenging who he is as a person. It puts physical, external obstacles in his way, sure, but any film or series worth its salt needs to also challenge its main character internally. And if not, to the latter, it needs to be using its main character to challenge the ideals of the world he inhabits. Either way, the main character - or the world he's in - needs to be in a state of metamorphosis. Every great, effective story centers around one of the two. Every. Single. One. And to either end, character and plot should be weaved together effortlessly. In fact, with the best movies or shows, plot is nothing more than the external manifestation of the primary character's internal arc.
But here, when it's ALL plot and no character, and the plot isn't advancing more rapidly than it is now, the filler REALLY stands out. In other words, when they're not using the filler episodes to challenge Mando's internal character in various ways, it can feel like molasses to some of us. And before the rest of you say, "Lol, why are you expecting Shakespeare? This is DISNEY!," Pixar is the MASTER at what I'm describing above, with the scripts for Toy Story, Finding Nemo, and others used as prime examples as some of the best in the business at executing character arcs to perfection. This isn't a lot to ask. It's literally screenwriting 101.
That's why, like I said earlier, episode 11 had me so excited when Bo-Katan challenged Mando's extremism, called his sect of Mandalorians "zealots," etc. Yes, that episode felt like Star Wars more than any other so far, but it was *also* the first to truly examine Mando's character - and hint at an actual character arc - and THAT'S what excited me more than anything. Now I'm just hoping they follow up on that in satisfying fashion. A lone wolf bounty hunter who goes from never-takes-his-helmet-off zealot to, say, a no-mask-wearing hero/father figure, who finally has a creed of his own, born out of experience rather than ancient teachings, is a GREAT character arc. And I want to see that poked, prodded, and developed every which way they can. Especially when, for instance, we're on on some random ice planet that advances the plot maybe two percent over a 40-minute runtime. I mean, that episode specifically featured a character in Frog Lady willing to do whatever it took to save her spawn. The opportunity was *right there* to essentially hold a mirror up to Mando and challenge HIS willingness to do whatever it took to save HIS "baby." Or better yet, question himself and the fact that he's risking his life to save this thing that isn't even his own flesh and blood. But then, of course, by episode's end, he comes out of it with more resolve than ever to do the right thing. Just ANYTHING that would chip away at and examine his personal, internal struggle, rather than physical obstacle after physical obstacle that ultimately *only* serve to prove, time after time after time, how "badass" Mondo is and nothing more.
Overall, I'm not saying they haven't hinted at some of the more internal character stuff from time to time, I just wish it was all more prominent and interweaved into the filler episodes, especially, along with the overarching plot.