Guys,
I think I got it. I wasn't aware of that term. I don't work in film.
I think I got it. I wasn't aware of that term. I don't work in film.
You betYouBet said:
Guys,
I think I got it. I wasn't aware of that term. I don't work in film.
I Have Spoken said:
At the house today with a sick kid, so we are watching this. Watching the 2nd (Jawa) episode right now, this is so genius.
This is the way.TCTTS said:
Season 2 confirmed for October (slightly earlier than expected)...
https://collider.com/the-mandalorian-season-2-release-date-details/
I already own all the SW content I need and the MCU doesn't do a whole lot for me. Maybe I will renew and give more Marvel movies a chance sometime this year.Urban Ag said:
Seriously? It's like $7/month. Just having the SW and MCU catalogue on go is worth the $7.
But there's nothing new coming out for months.Urban Ag said:
Seriously? It's like $7/month. Just having the SW and MCU catalogue on go is worth the $7.
Urban Ag said:
Seriously? It's like $7/month. Just having the SW and MCU catalogue on go is worth the $7.
Not having kids is also a major factor in choosing to cancel. Can't imagine I would get a whole lot out of any of the Disney or Pixar catalogue.Urban Ag said:
We watched The Lion King on Disney+ as a family Saturday night. Easily worth the $7.
Anyway, maybe it's a parent thing. The fact that I can hand my phone to one of the kids and they instantly access SW, MCU, Pixar, Disney, etc, is awesome.
T&P for your bank accountCoachRTM said:
The Disney original stuff - like the Disney Imagineering stories are pretty awesome.
- Jeff Goldbloom series is pretty silly, but fiun
- Marvel series upcoming
- PIXAR in real life is fantastic, but only 3 five minute episodes so far
- Clone Wars and Rebels - we're just getting started on these
There's enough fun stuff to keep us hooked. My wife also goes to Disney 3-5 times per year, so I'm pretty sure we're going to have the subscription no matter what.
It's the best value by far or the streaming services right now. I'm sure the price will double in the next couple years, but we're going to be paying it no matter what.
CoachRTM said:
The Disney original stuff - like the Disney Imagineering stories are pretty awesome.
- Jeff Goldbloom series is pretty silly, but fiun
- Marvel series upcoming
- PIXAR in real life is fantastic, but only 3 five minute episodes so far
- Clone Wars and Rebels - we're just getting started on these
There's enough fun stuff to keep us hooked. My wife also goes to Disney 3-5 times per year, so I'm pretty sure we're going to have the subscription no matter what.
It's the best value by far or the streaming services right now. I'm sure the price will double in the next couple years, but we're going to be paying it no matter what.
More like Sancho Duck am I right?YouBet said:CoachRTM said:
The Disney original stuff - like the Disney Imagineering stories are pretty awesome.
- Jeff Goldbloom series is pretty silly, but fiun
- Marvel series upcoming
- PIXAR in real life is fantastic, but only 3 five minute episodes so far
- Clone Wars and Rebels - we're just getting started on these
There's enough fun stuff to keep us hooked. My wife also goes to Disney 3-5 times per year, so I'm pretty sure we're going to have the subscription no matter what.
It's the best value by far or the streaming services right now. I'm sure the price will double in the next couple years, but we're going to be paying it no matter what.
You've been *******ed by Donald Duck. He doesn't even wear pants!! How are you not seeing what's happening here?
Quote:
Over 50 percent of The Mandalorian Season 1 was filmed using this ground-breaking new methodology, eliminating the need for location shoots entirely. Instead, actors in The Mandalorian performed in an immersive and massive 20' high by 270-degree semicircular LED video wall and ceiling with a 75'-diameter performance space, where the practical set pieces were combined with digital extensions on the screens. Digital 3D environments created by ILM played back interactively on the LED walls, edited in real-time during the shoot, which allowed for pixel-accurate tracking and perspective-correct 3D imagery rendered at high resolution via systems powered by NVIDIA GPUs. The environments were lit and rendered from the perspective of the camera to provide parallax in real-time, as if the camera were really capturing the physical environment with accurate interactive light on the actors and practical sets, giving showrunner Jon Favreau, executive producer and director Dave Filoni, visual effects supervisor Richard Bluff, and cinematographers Greig Fraser and Barry Baz Idoine, and the episodic directors the ability to make concrete creative choices for visual effects-driven work during photography and achieve real-time in-camera composites on set.
The technology and workflow required to make in-camera compositing and effects practical for on-set use combined the ingenuity of partners such as Golem Creations, Fuse, Lux Machina, Profile Studios, and ARRI together with ILM's StageCraft virtual production filmmaking platform and ultimately the real-time interactivity of the Unreal Engine platform.