To each his own, and I'm not trying to talk you out of your opinion or anything, but I can at least try and articulate why this version stands out to me, personally...
- First and foremost, a number of fans - myself, especially, and even a few others on this very board - have always dreamed of a David Fincher-director Batman. In short, we've essentially wanted Seven, but with Batman as the detective, and this looks about as close as we're ever going to get to that, eerily and awesomely so, right down to the Riddler's entire vibe.
- Whereas Nolan's version is more spectacle and action-oriented, this looks to be a moodier, grittier thriller. Which is an important distinction to make. Nolan's movies were essentially massive action movies. This version, however, looks to be a detective thriller with action in it. Apparently Reeves used Chinatown as an inspiration, and you can definitely see that here.
- I've said this before, but the cinematography here so far is some of the best I've ever seen in a blockbuster. From the specific type of film used, to the lighting, the framing, the camera movement, etc... it's all just perfect, IMO, and *exactly* what I want something like this to look like. Nolan's movies of course look incredible in their own right, especially in IMAX, but there's something here that's just a bit more artistic and visceral that really grabs my attention.
- Maybe the most distinguishing factor, though, is something we touched on earlier in the thread, and that's Bruce as somewhat of a depressed, Kurt Cobain-esque recluse, who doesn't yet know how to be the somewhat aloof, clean-cut, playboy version of Bruce we know and love. The Bruce here doesn't yet know how to channel his pain and his rage into *only* his Batman persona and, in turn, use a more gregarious Bruce persona in public. In Nolan's version, literally days after Bruce arrives back in Gotham from his stint int he League of Shadows, he already knows exactly how to be the charming, public-facing Bruce Wayne he needs to be. Which is totally fine, and the version Nolan wanted to tell. But I love that Reeves has chosen to make that particular aspect a major struggle for Bruce in this iteration, and not have him simply be able to turn on the "Bruce Wayne" facade quite yet.