All kidding aside, it's going to be interesting to see how WB/ Reeves "justifies" this iteration...
- With the Burton version, we had obviously never seen a modern Batman on screen before (and I consider the Schumacher versions extensions of this one).
- With the Nolan version, we had never seen how Batman became Batman. We got the ultimate, real-world origin story.
- With the Snyder version, we got the Batman who exists in the DC universe, among all the other superheroes.
Not that I or audiences in general need justification for the Reeves version - we'll all be there regardless, and I can't wait - I'm just curious what, if anything, will separate this Batman in a notable, bigger context way that each of the previous iterations have. For all the Batmen we've had prior, this feels like the first one where there's not that obvious, "Oh, I get why *this* version exists" angle. Maybe it's the leaning heavily on the detective aspect, or maybe it's the gothic, '70s-ish Gotham aspect, but both of those feel more like character/production design choices as opposed to bigger-picture franchise reasoning.
Ultimately, we've probably reached a point where it doesn't even matter, and I'm not saying it does here, it's just interesting how this iteration is the first to lack obvious justification for its existence at the outset.