quote:Steppenwolf is connected to Darkseid though, correct?
People have been saying Darkeid but I hope its not because that is a terrible adaptation. It is probably Steppenwolf
quote:quote:Well close, but I consider my self a casual movie goer and I do anticipate the next one if I'm entertained by the current one. And if you're entertained, why should you be frustrated at all? Because the critics say you should? And no, I'm not calling you a sheep. I really am curious.
Is this what it feels like to be a casual movie goer? Where you just watch something for two+ hours, are completely unaffected by it, and have absolutely no interest in the next one until you find yourself sitting in the theater again? Because that's how I feel right now. Kind of entertained, knowing I should be way more frustrated than I am, but also knowing this sh*t will never change, and just kind of numb to it overall.
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So this scene appears to come after Jesse Eisenberg's Lex Luthor has descended into a lake of space goo inside General Zod's crashed ship (henceforth known as "the goo ship") to create Doomsday. We follow some soldiers into the ship, and they're first greeted by some massive monster that resembles the Independence Day aliens, only he appears to be made of the same material that we saw in Man of Steel when Jor-El's ghost was telling Clark the story of his people.
Sowhat is this thing and what in the world is going on? Our own Dave Trumbore surmises this might be the comics character of Steppenwolf, uncle to supervillain Darkseid, and that he may be holding Mother Boxes, objects of mysterious power that also have a Darkseid connection. So it's possible that this deleted scene explains why Luthor is magically alluding to Darkseid's impending arrival at the end of the film without any context as to how or why Luthor knows who Darkseid is.
quote:Just had almost this exact same discussion with a friend of mine.
- Finally, on a more personal note, as someone who is striving to make movies for a living, it frustrates me to no end that this is what someone like Zack Snyder does with his opportunity. It's as simple as that. He's in an enviable position, and isn't making the most of it.
quote:I feel that way about most current music performers (not gonna call them artists). Especially watching some of the talent on American Idol and The Voice. How some of the crap gets out on the radio while truly talented folks struggle baffles me to no end.quote:
- Finally, on a more personal note, as someone who is striving to make movies for a living, it frustrates me to no end that this is what someone like Zack Snyder does with his opportunity. It's as simple as that. He's in an enviable position, and isn't making the most of it.
quote:quote:quote:Well close, but I consider my self a casual movie goer and I do anticipate the next one if I'm entertained by the current one. And if you're entertained, why should you be frustrated at all? Because the critics say you should? And no, I'm not calling you a sheep. I really am curious.
Is this what it feels like to be a casual movie goer? Where you just watch something for two+ hours, are completely unaffected by it, and have absolutely no interest in the next one until you find yourself sitting in the theater again? Because that's how I feel right now. Kind of entertained, knowing I should be way more frustrated than I am, but also knowing this sh*t will never change, and just kind of numb to it overall.
It has nothing to do with critics. Why do so many people here think that if I, or anyone else, doesn't like something, it's because we're listening to or agreeing with critics?
- First of all, I can tell whether something is good or bad on my own. I don't need a critic to spell it out for me. I know storytelling/movie-making inside out, and can come to whatever conclusion I come to via my own knowledge, experience, and expertise.
- Secondly, I want to be entertained by a good movie, not a bad one. I want be able to appreciate and marvel at the care and cleverness that went into making a well-told story. For me, it's not enough just to be mildly entertained by something that was subpar, something that could have been so much better. Every movie I see, I want to LOVE. And that love can only come from something that is smart and well-made. I'm just incapable of loving crap movies. I can find the experience enjoyable, sure, but that's not enough for me.
- Third, the product in theaters affects the overall market. Meaning that if a crap movie makes $166 million opening weekend, over time, studios will care less and less about producing a quality product, if they don't have to. If the masses will show up no matter what they put out, as long it has Batman or Superman in it, who gives a sh*t if it makes any sense? It especially affects the script phase in that regard. More and more studios are doing the bare minimum when it comes to the script. They'll put all kinds of ridiculous R&D into developing the technology to make sure the 10,000 moving parts in a Transformer are technically accurate and proportioned, but when it comes to the foundation of the entire endeavor - the script - it's like, "Who cares?! We have a deadline to meet! Write it on the fly!" I f***ing hate that attitude, and the success of movies like Batman v Superman only perpetuate that trend.
- Finally, on a more personal note, as someone who is striving to make movies for a living, it frustrates me to no end that this is what someone like Zack Snyder does with his opportunity. It's as simple as that. He's in an enviable position, and isn't making the most of it.
quote:All that great source material and all they did was wipe their asses with it.
This x 1000000000
I can be "entertained" while watching a movie but still come away frustrated because of the wasted potential. Man of Steel was a perfect example of this and it sounds like Snyder doubled down on the wasted potential in BatsVsSupes.
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WB released a deleted scene
Anyone know who that is?
quote:
Collider seems to think it is Steppenwolf.
http://collider.com/batman-v-superman-deleted-scene/quote:
So this scene appears to come after Jesse Eisenberg's Lex Luthor has descended into a lake of space goo inside General Zod's crashed ship (henceforth known as "the goo ship") to create Doomsday. We follow some soldiers into the ship, and they're first greeted by some massive monster that resembles the Independence Day aliens, only he appears to be made of the same material that we saw in Man of Steel when Jor-El's ghost was telling Clark the story of his people.
Sowhat is this thing and what in the world is going on? Our own Dave Trumbore surmises this might be the comics character of Steppenwolf, uncle to supervillain Darkseid, and that he may be holding Mother Boxes, objects of mysterious power that also have a Darkseid connection. So it's possible that this deleted scene explains why Luthor is magically alluding to Darkseid's impending arrival at the end of the film without any context as to how or why Luthor knows who Darkseid is.
Can anyone explain what the Mother Boxes are? I have never heard of these. I am going to assume that this is when Lex said "Teach me" to the computer.
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8. I think WB expects to hit us with a big twist down the road that Joker is actually Robin gone insane.
quote:quote:
8. I think WB expects to hit us with a big twist down the road that Joker is actually Robin gone insane.
You're the second person I've seen say thIs, and it makes zero sense to me. What did you see in the movie that made you think this? Or is this based on a storyline in the comics?
quote:quote:
8. I think WB expects to hit us with a big twist down the road that Joker is actually Robin gone insane.
You're the second person I've seen say thIs, and it makes zero sense to me. What did you see in the movie that made you think this? Or is this based on a storyline in the comics?
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Any chance the Arkham Knight becomes a character in a movie? Or is he really just a video game only character
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Seconding the Under the Red Hood recommendation, best of WB's animated stuff that I've seen (also loved Year One and Return of the Joker).
Oh, and Todd was the second Robin, just for clarification, preceded by **** and followed by Tim Drake (Red Robin).
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Only way it is Jason Todd is if they completely destroy the Orginal Joker and Harley Quinn story line.
quote:Because basically Snyder wants Batman to form and lead the JL. Here's a quote from Collider:
- Why kill Supes? We all know he isn't going to stay dead.
quote:
"We had a version that we talked about where [Superman] justthis isn't it, but where he got frozen and shot into space or something, so he's kinda gone. Because one of the big things I wanted to make sure of was that as we went into Justice League, Bruce Wayne was the one who was gathering the Justice League. I thought it was really important to have Bruce Wayne be the samurai who goes and finds the other samurai, that to me was important. And with Superman around it's kinda hard, because Superman's Superman so it's kinda hard for Bruce to be like, 'Yeah I wanna put a Justice League together'. It's like, 'Okay, but maybe Superman should be doing that. You're just a guy. You're a cool guy, don't get me wrong, but you're just a guy.'"
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After reading the thread, it's funny how many of us used the word "disjointed."
Also agree with another poster about people not understanding how RT works or what those results mean.