cap-n-jack said:
Way to many loose ends to be tied up and only one episode left to do it in. I am prepared to be underwhelmed.
I've come to terms with the fact that I have been for a while now. It's a good season with an interesting story and some damn good performances, but there's just no... spark... and it's been fairly slow and predictable, all things considered. Frankly, I don't even know what I'm supposed to be anticipating anymore. The conspiracy is seemingly 95% uncovered at this point, and it's been pretty clear for a while now that Hoyt is essentially in league with whatever super-rich-guy-pedo-ring Tuttle was part of from season one - or the Arkansas equivalent of it - and that Harris was his right hand man/partner in crime. So if Hoyt's at the top, and Harris was helping keep things in order, I really don't care whoever the middle-middle-man was or how,
exactly, he procured children, especially since we basically know it's Watts, the one-eyed black guy, and basically how he did it.
I guess I
am somewhat curious to know what Hoyt has to say to Hays in 1990, and maybe how Amelia died, but with Hoyt dead in 2014, I really don't care at this point what Hays and West uncover in 2014. Are they really going to make it to the top and expose the super-rich-guy-pedo-ring in the hour we have left?
I like the fact that, as mentioned earlier tonight, Hays' dementia has likely made him forget that he's NOT supposed to be investigating the case any more - which is probably the heart of the matter of the convo he has with Hoyt in 1990 - but ultimately that's just not something I don't care all that much about. In other words, the torch-carrying from season one to now was a cool idea in theory, but it's ultimately left the anticipation of the finale a bit hollow for me.
That, and I made the "mistake" of revisiting season one over the past week or so, and it really is on a completely different level in every conceivable way. In fact, I think it's flat out my favorite season of television - ever, period. The characters, case, storytelling, cinematography, atmosphere, timeline interaction, editing, etc. are all just flat out phenomenal. Doing such an immediate, side-by-side comparison probably isn't fair, but it's also underlined just how much of a store-brand version season three comes across on the whole.
That said, this season is still better than 99% of everything else on television, so I'll take it for what it's worth.