*** THE PENGUIN *** (The Batman Spin-Off Series)

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agracer
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Lathspell said:

And you can just 'Reply' instead of quoting the entire post.
Irony is ironic....
agracer
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TCTTS said:

As bat**** super nerd as that post may be, it's more demented that TWO people decided to quote reply it in-full. I was completely aware of how crazy long it was, but I literally thought, "At least it'll only be on the first page." But no, you psychopaths made sure people had to scroll through it TWICE now on the second page now as well. That's Batman-villain-level lack of sympathy for your fellow posters.
We can only watch, and wonder how you do it...Quoting your ENTIRE post was the only way to get close.
G.I.Bro
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The Porkchop Express said:

The Batman had a great Batman, a really hot Cat Woman, a really scary Riddler and some of my favorite actors in supporting roles. Loved the music. Laughed out loud in the theater at the concept of going down into their version of Madison Square Garden to get away from a flood and really disliked the idea of there being multiple heavily armed online followers ready to mount up and start slaughtering innocent people because some crazy murderer told them, too. Feels like something that could inspire some really bad ***** Thought 80% of it was fantastic stuff but the last 30 minutes or so just felt pretty ridiculous and really veered from the logic and slickness and tightness of the rest of the film.




To me, this is one of the issues with trying to make comic book characters, particularly one who dress up in costumes to fight crime, in a grounded world. This storyline would work fine in a batman graphic novel where everything else was fantastical, but not in a "Gotham in our world" setting.

That said, I really liked The Batman, moreso than the Nolan trilogy, but I wish they'd move away from grounded worlds. You can still make a good, artful comic book movie
Lathspell
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Sorry... don't understand. I Replied, I didn't quote. I will quote small posts, but don't usually quote large posts because it's a chore for others to scroll through.
TCTTS
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agracer
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Lathspell said:

Sorry... don't understand. I Replied, I didn't quote. I will quote small posts, but don't usually quote large posts because it's a chore for others to scroll through.
and that's the irony of complaining about the length of his post, and then quoting it...surely you understand this and you're just trolling us,....right.
agdoc2001
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TCTTS said:




Chris Hardwick was busy?
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AustinAg2K
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G.I.Bro said:

The Porkchop Express said:

The Batman had a great Batman, a really hot Cat Woman, a really scary Riddler and some of my favorite actors in supporting roles. Loved the music. Laughed out loud in the theater at the concept of going down into their version of Madison Square Garden to get away from a flood and really disliked the idea of there being multiple heavily armed online followers ready to mount up and start slaughtering innocent people because some crazy murderer told them, too. Feels like something that could inspire some really bad ***** Thought 80% of it was fantastic stuff but the last 30 minutes or so just felt pretty ridiculous and really veered from the logic and slickness and tightness of the rest of the film.




To me, this is one of the issues with trying to make comic book characters, particularly one who dress up in costumes to fight crime, in a grounded world. This storyline would work fine in a batman graphic novel where everything else was fantastical, but not in a "Gotham in our world" setting.

That said, I really liked The Batman, moreso than the Nolan trilogy, but I wish they'd move away from grounded worlds. You can still make a good, artful comic book movie


On the flip side, when the world is "fantastical" it's really easy to slip into campy... See the Joel Shumocker Batmans.
Lathspell
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I would say, something like 300 did this very well. It kept the caricatures and various over the top visuals, and made it fit very well.

However, I will say I think the gritty version of Gotham we are getting with this series is something I really enjoy. Absolutely love the atmosphere.
G.I.Bro
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I like the gritty, when I say comic I mean the world of comic books. Say what you want about Snyder, but I thought watchmen was great. It was a serious movie but in a comic book world, had something to say and you didn't have to worry about the audience saying "that would never happen" bc it could in that world. I love gritty Gotham, but if we kept the grittiness but laxed up on the grounded nature, you could have a gritty world with characters like killer croc, bane with venom, and a riddler who recruits a bunch of conspiracy theorists online to do his bidding. I just want a batman world where the audience can suspend belief somewhat, but still have a well made, serious movie.

Honestly I want the arkham games made into movies lol
YouBet
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The Porkchop Express said:

The Batman had a great Batman, a really hot Cat Woman, a really scary Riddler and some of my favorite actors in supporting roles. Loved the music. Laughed out loud in the theater at the concept of going down into their version of Madison Square Garden to get away from a flood and really disliked the idea of there being multiple heavily armed online followers ready to mount up and start slaughtering innocent people because some crazy murderer told them, too. Feels like something that could inspire some really bad ***** Thought 80% of it was fantastic stuff but the last 30 minutes or so just felt pretty ridiculous and really veered from the logic and slickness and tightness of the rest of the film.




I will say that last part did feel tacked on after the fact. That may have been one of my original gripes - don't recall.
Lathspell
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I agree on Watchmen, but even that one they changed to not make it seem so over the top.
G.I.Bro
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Lathspell said:

I agree on Watchmen, but even that one they changed to not make it seem so over the top.


True, but I think the ending of the graphic novel would have been tough to do in a movie, and I think the movie kept the same tone/meaning. You're still left with the question of whether peace based on a lie is preferable to war with truth. Maybe this animated movie will end the same at the novel, but it has more time to explain it. I think the movie makers were more worried about conveying the novel ending than it being too out there.
Sex Panther
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G.I.Bro said:

Honestly I want the arkham games made into movies lol

There are a lot of really amazing iterations of Batman, but I'd say pound for pound the Arkhamverse games are the best complete representation. The story, the villains, Gotham, Kevin Conroy and Mark Hamill.. it's the total package.
ScottishFire
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The Porkchop Express said:

The Batman had a great Batman, a really hot Cat Woman, a really scary Riddler and some of my favorite actors in supporting roles. Loved the music. Laughed out loud in the theater at the concept of going down into their version of Madison Square Garden to get away from a flood and really disliked the idea of there being multiple heavily armed online followers ready to mount up and start slaughtering innocent people because some crazy murderer told them, too. Feels like something that could inspire some really bad ***** Thought 80% of it was fantastic stuff but the last 30 minutes or so just felt pretty ridiculous and really veered from the logic and slickness and tightness of the rest of the film.


I can understand some of the disdain for the end of the movie, but the imagery laced within that last thirty minutes is great stuff: Batman sacrificing himself and falling into the water, only to be reborn when he comes out as an agent of hope instead of vengeance; Batman leading the people out of the darkness via the flare/light; Batman operating in the daytime as he evacuates all of the wounded instead of darkness.

Those last thirty minutes (or Act 3), from Riddler erroneously thinking Batman was working with him due to his unintended, implicit actions, and Batman realizing that operating solely on vengeance would never achieve the outcome he needed, were essential to the character arch. Those thirty minutes are the metamorphosis necessary to create the Batman that operate in the morally gray as opposed to the Black.

After rewatching once the movie came out on film, I am firmly convinced that Reeve's Batman film is the top in the franchise's history.
Lathspell
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I get all that, but I just can't shake the feeling I get that I'm watching the last 20% of the movie or so that just seems a bit 'lesser than' how it started. It's still great and I love the movie. I just don't know how else to emphasize how perfect of a movie I felt the first 1.5-2 hrs of that movie were.

But, as far as The Penguin is concerned, I can't wait to revisit this Gotham that Reeves has brought to screen. I would love to get many stories from him with more obscure villains from Batman's Rogue's gallery. No need to bring in the Joker at all, imo.
TCTTS
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Incredibly well said.

That last act not only features some amazing visuals, but is absolutely essential for Batman's arc. Especially once that last goon uses his vengeance line back at him (who is the same goon from the church/funeral who briefly complains to Bruce Wayne, btw).

I also just love the idea of him fighting a bunch of goons in the rafters of a space like that (where bets are often trapped), then plunging down into the muck, becoming a beacon of hope, etc.

It's all so damn good.
TCTTS
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Lathspell said:

I get all that, but I just can't shake the feeling I get that I'm watching the last 20% of the movie or so that just seems a bit 'lesser than' how it started. It's still great and I love the movie. I just don't know how else to emphasize how perfect of a movie I felt the first 1.5-2 hrs of that movie were.

But, as far as The Penguin is concerned, I can't wait to revisit this Gotham that Reeves has brought to screen. I would love to get many stories from him with more obscure villains from Batman's Rogue's gallery. No need to bring in the Joker at all, imo.

For me, it feels organic if only because they tease the election - along with election night at Gotham Square Center - time and again throughout the movie. Everything is leading up to that event. Not only that, but then Bella Real is able to be the change Thomas Wayne was striving to be before he was tragically murdered. So that whole sequence is so symbolic, in more ways than one, with Bruce getting to save/continue his father's legacy/mission, by leading Real & co out of the dark and into the light. An act which is also the very moment Batman transitions from vengeance to hope. (That, and I get legit choked up when the dead mayor's kid, who's the same age Bruce was when he lost his parents, is the first one to take Batman's hand.) Thematically, it's all so brilliant, and ties the entire movie together so perfectly.
The Porkchop Express
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Lathspell said:

I get all that, but I just can't shake the feeling I get that I'm watching the last 20% of the movie or so that just seems a bit 'lesser than' how it started. It's still great and I love the movie. I just don't know how else to emphasize how perfect of a movie I felt the first 1.5-2 hrs of that movie were.

But, as far as The Penguin is concerned, I can't wait to revisit this Gotham that Reeves has brought to screen. I would love to get many stories from him with more obscure villains from Batman's Rogue's gallery. No need to bring in the Joker at all, imo.
Well this is maybe the 2nd time we have agreed on something, but I feel the same way about the movie. I find it very troubling that the bad guys aren't some army of goons and criminals, but individuals who have followed along the Riddler's online rants for months/years and then all unanimously decided to go downtown during a manmade flood to start killing people with automatic weapons. While I used to hate when idiots would say that a movie like the Matrix was inspiring kids to shoot up schools, I can't say the same thing about the faceless killers at the end of this movie. Perhaps it's just my own sensitivity to being a parent in the present as opposed to when the Matrix was out..

Movie has 3 of my favorite actors in brilliant supporting - Turturro, Serkis, and Jeffery Wright - and definitely captured the mood of what I would like the Batman to be about. I'll never be able to put it higher than The Dark Knight, but it's a worthwhile second.

TCTTS
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The Porkchop Express said:

Lathspell said:

I get all that, but I just can't shake the feeling I get that I'm watching the last 20% of the movie or so that just seems a bit 'lesser than' how it started. It's still great and I love the movie. I just don't know how else to emphasize how perfect of a movie I felt the first 1.5-2 hrs of that movie were.

But, as far as The Penguin is concerned, I can't wait to revisit this Gotham that Reeves has brought to screen. I would love to get many stories from him with more obscure villains from Batman's Rogue's gallery. No need to bring in the Joker at all, imo.
Well this is maybe the 2nd time we have agreed on something, but I feel the same way about the movie. I find it very troubling that the bad guys aren't some army of goons and criminals, but individuals who have followed along the Riddler's online rants for months/years and then all unanimously decided to go downtown during a manmade flood to start killing people with automatic weapons. While I used to hate when idiots would say that a movie like the Matrix was inspiring kids to shoot up schools, I can't say the same thing about the faceless killers at the end of this movie. Perhaps it's just my own sensitivity to being a parent in the present as opposed to when the Matrix was out..

Movie has 3 of my favorite actors in brilliant supporting - Turturro, Serkis, and Jeffery Wright - and definitely captured the mood of what I would like the Batman to be about. I'll never be able to put it higher than The Dark Knight, but it's a worthwhile second.

To me, this is essential, and pretty much the entire point of the movie. Gotham has grown so corrupt, and its bureaucratic elites have failed their city to such an unforgivable degree (by teaming with Falcone to enrich only themselves through personal greed), that citizens like Edward Nashton and his cohorts, in their minds, have been left with no other choice. The guy at the mayor's funeral, who is eventually the last of The Riddler's followers to fight Batman in the rafters, tells Bruce, "What good's a safety net that doesn't catch anybody. Didn't help my daughter when she needed it, I can tell you that. [The mayor] was just another rich, scum-sucker who got what he deserved." So, in their minds, and their desperation, people like him believe they're doing exactly what Batman is doing - donning a mask to do what no one else will and fight the bureaucrats/rampant corruption. And even though Batman fancies himself above them, with his "no guns/kill" rule, it's only once he's actually face-to-face with them - specifically, the final guy from the funeral who throws his "vengeance" line back at him - does Batman realize the error of his ways; that fighting crime and corruption in the name of "vengeance" is no better. In other words, if The Riddler's cohorts were simply goons and criminals, as opposed to disenfranchised citizens who think they're doing what Batman is doing - the entire thematic premise of the movie falls apart. Then there's no mirror for Batman to see himself in, and ultimately become the symbol of hope he needs to be.
ScottishFire
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The Porkchop Express said:

Lathspell said:

I get all that, but I just can't shake the feeling I get that I'm watching the last 20% of the movie or so that just seems a bit 'lesser than' how it started. It's still great and I love the movie. I just don't know how else to emphasize how perfect of a movie I felt the first 1.5-2 hrs of that movie were.

But, as far as The Penguin is concerned, I can't wait to revisit this Gotham that Reeves has brought to screen. I would love to get many stories from him with more obscure villains from Batman's Rogue's gallery. No need to bring in the Joker at all, imo.
Well this is maybe the 2nd time we have agreed on something, but I feel the same way about the movie. I find it very troubling that the bad guys aren't some army of goons and criminals, but individuals who have followed along the Riddler's online rants for months/years and then all unanimously decided to go downtown during a manmade flood to start killing people with automatic weapons. While I used to hate when idiots would say that a movie like the Matrix was inspiring kids to shoot up schools, I can't say the same thing about the faceless killers at the end of this movie. Perhaps it's just my own sensitivity to being a parent in the present as opposed to when the Matrix was out..

Movie has 3 of my favorite actors in brilliant supporting - Turturro, Serkis, and Jeffery Wright - and definitely captured the mood of what I would like the Batman to be about. I'll never be able to put it higher than The Dark Knight, but it's a worthwhile second.




I think we want to believe that Riddler's "followers" are a Hollywood, overreaching trope, yet two crazies just shot at a former President over rhetoric that really wasn't that inciteful.

We all need to expect that if Trump wins then violence and murder will occur due to a "stolen election" narrative, and if Harris wins then there will be people on the right that have had enough and also cry "stolen election."
Both sides have been sensationalized by the media and online figures.

And if we had a true picture of the corruption in Gotham and saw that the good guys were perpetrating the abuse, people in our world would result to violence.
When Justice is abused and forsaken, violence will ensue (and often justifiably).
The Porkchop Express
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My problem isn't with how it affects Batman's arc or the movie plot as a whole, but with the inclusion of the characters at all. Having the main villain look like this.



is a pretty spot-on stereotype of what a lot of school shooters and other mass murderers who take an automatic weapon into a crowded place and open fire over the last 20-25 years have looked like.







Having that villain then be responsible for a dark web following of people who feel disenfranchised to the point of trying to murder as many people as possible in a massive coordinated attack just scares the **** out of me. We gratefully haven't seen anything like that (yet) beyond that mother****er in Norway 15ish years ago.

I realize movies in general and superhero films in particular are not beholden to some moral standard of creativity or to contribute to what my narrow view of things "for the good of society", but I've got 2 kids in school, a niece in college, and my brother in his 30th year of teaching. There have been 2 horrific school shootings within 100 miles of our city in the last 5 years, and we all know damn well ain't no Batman coming to stop them.

I don't want to clog the thread anymore with what is feeling more and more like a derail. I respect your opinion TC, and everyone else's. But there's definitely a reason I turn this film off right after that great Dano/Patterson scene at Arkham.
TCTTS
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Seems we're getting flashbacks, with Strong is playing a younger Turturro...

TCTTS
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I hear you, and understand why it might hit close to home in your mind. At the same time, though, it's really no different than a movie featuring a mass serial killer, gang bangers, or terrorists, who all have just as much of a likelihood as killing us or our loved ones as the disenfranchised school shooter types do.
TCTTS
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TCTTS
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Tonight.
amg405
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So… I have steered clear of DC for the most part and most of what I've seen has been relegated to Marvel.

I watched episode 1 tonight because I like mob movies/shows… and I was impressed. I barely know the back story but it was very entertaining. I enjoyed it and will definitely keep going with it.
TCTTS
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Hot damn, what a pilot.

One that does a MASTERFUL job of making us feel all kinds of empathy for a murderous, comic book mobster. From the way just about everyone in Oz's life treats him, to the sweet, psychotic way his mother talks to him, to all the little gestures that show, beneath it all, Oz actually has empathy too, for others like himself… the filmmakers paint such an incredible portrait of a terrible person I'm somehow now actively rooting for.

Bigger picture, there's already so much more to like about the show as well, from Oz's ingenious plan to pit the two crime families against each other, to Cristin Milioti's performance, to even the little things like Oz refusing to sit in the handicapped seats on the subway. Not to mention the blood, the murder, the language... it's all just so surprising and refreshing compared to the sterile Marvel/Disney+ shows.

And Dolly Parton at the end!

So unexpected, so good.

I officially cannot wait to see how this is all going to unfold.
TCTTS
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amg405 said:

So… I have steered clear of DC for the most part and most of what I've seen has been relegated to Marvel.

I watched episode 1 tonight because I like mob movies/shows… and I was impressed. I barely know the back story but it was very entertaining. I enjoyed it and will definitely keep going with it.

So you haven't even seen The Batman?

First off, if so, I'd remedy that immediately. Secondly, if the pilot can even draw in someone such as yourself, who hasn't seen anything in this world prior, that's pretty amazing. And thirdly, props for giving it a chance, sight unseen, but yeah, again... watch The Batman. It's amazing.
TCTTS
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G.I.Bro
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I really enjoyed that. I wasn't sure exactly what I was expecting, but it wasnt seeing Oz as a disrespected soldier in the mob, I didn't think he would have that far to climb to the top. I can't wait to watch his journey. I still can't belive that's colin Ferrell under there.
Lathspell
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That's how his character was portrayed in The Batman; a lower level boss. There's also that scene where he asked Batman if he knows his reputation, in an attempt to be intimidating, and Batman responds with, "yes; do you?"

I enjoyed it and definitely intrigued by Sofia Falcone. The scene with Oz shooting the brother definitely caught me off guard. I assumed he would kill him at some point in the show, but that was much better to kill him immediately. It allowed me to believe Oz was both stepped on and not thought of very highly by the heads of the family, but still had his pride and the ability to rise to the top. If he had spent episodes just being trodden all over and emasculated, I would not have believed his ascendance arc as much.
TCTTS
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I was legit shocked by this, considering A) Michael Zegen is a pretty notable actor in a number of things I love, and B) is shown in the trailers in at least a couple other scenes, which are now presumably flashbacks. Regardless, I was expecting him to be around for another few episodes. Such a brilliant way to kick things off, though, and (re)establish Oz's character.
TCTTS
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TCTTS
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The cinematography obviously isn't nearly on the same level as the movie (not much else is), but I appreciate the effort and attention to detail...

 
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