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The studio knew all three episodes were going to be a cash machine even if they sucked. So they let him make two pointless movies.
There was no studio in control. Lucas bankrolled the prequels himself.
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The studio knew all three episodes were going to be a cash machine even if they sucked. So they let him make two pointless movies.
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There is no "last three." Disney is planning to ramp up to releasing one Star Wars movie every year; tentpoles every three.
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Lucas was his own worst enemy. I am so glad the last 3 are out of his hands.
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There is no "last three." Disney is planning to ramp up to releasing one Star Wars movie every year; tentpoles every three.
The last three of Lucas' intended 9. I guess.
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More disappointed to not have Episode III involve at least some of Vader hunting down other Jedi post-order 66 rather than missing stuff about the Clone Wars.
quote:That will depend entirely on your point of view (thanks, Obi Wan). For me, Star Wars taking the Marvel route isn't a good thing, it's the best thing. I can definitely see some people getting burned out though. I just hope there are enough people like me out there to keep the content churning out at that pace. I'll never get enough.
Disney will do to Star Wars what they did to Marvel. I'm not sure if that's a good thing or not.
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There is no "last three." Disney is planning to ramp up to releasing one Star Wars movie every year; tentpoles every three.
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Oh crap, I totally forgot that the music is a 20th Century Fox thing and not a Star Wars thing!!! The orchestra music just matches Star Wars so well and I've always associated it with that. Is there a story there... did John Williams do that opening "jingle" and it was so popular after Star Wars that 20th Cent. Fox just kept it? Or had they used that prior to Star Wars?
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The 20th Century Fox Fanfare was composed in 1933 by Alfred Newman, longtime head of Fox's music department. In 1954, an extended version was created for CinemaScope films, and debuted on the film The Robe.
In the mid-to-late 1970s, the 20th Century Fox logo had all but been phased out. However, Lucas enjoyed the logo and Alfred Newman music so much that he insisted it be used for his Star Wars films. The fanfare and logo have, since then, enjoyed a rebirth in usage.
When John Williams signed onto the Star Wars project, one of his first moves was to compose the Main Title to Star Wars Episode IV: A New Hope in the same key as the 20th Century Fox Fanfare. He has said before that it was truly meant as another extension of the fanfare, and it has since then been adopted by Star Wars film score buffs as part and parcel of the scores to Star Wars.
quote:quote:That will depend entirely on your point of view (thanks, Obi Wan). For me, Star Wars taking the Marvel route isn't a good thing, it's the best thing. I can definitely see some people getting burned out though. I just hope there are enough people like me out there to keep the content churning out at that pace. I'll never get enough.
Disney will do to Star Wars what they did to Marvel. I'm not sure if that's a good thing or not.
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I think that Lucas has some sort of Autism-spectrum disorder. If you think about it that way, it all makes sense.
He has the genius to create the Star Wars universe and the first story in it, but he lacks the emotional understanding to craft realistic dialogue, to write scenes where characters interact normally, or to direct people to act in life-like fashion.
Maybe it's apocryphal, but I remember hearing that Harrison Ford ad-libbed a significant number of his lines and berated Lucas that "I can't say this ****. People don't talk this way" or something to that affect.
There are definitely some clumsy lines and scenes in the originals, but Lucas was kept in check by the studio. The perfect storm was Lucas writing, directing, producing, and editing his own socially retarded script for the prequels without any outside input, unchecked by a crew of people over-awed by his presence.
It's a if he doesn't experience a full range of emotions, or at least not in a normal way, but he has read about them, and has observed their outward expression, so he thinks he can mimic them. His scripts and direction are then Lucas trying to render these external expressions without understanding where they come from or what they feel like.
If you consider it that way, the actors couldn't get any direction from him because he didn't really intrinsically understand what he was asking them to convey, and they, the actors, couldn't do it themselves because the scenes Lucas wrote are so awkward and unrealistic to begin with. The result is cringe-worthy lines woodenly delivered, and almost unwatchable, awkward, boring films.
[This message has been edited by Creme de Menthe (edited 5/9/2014 1:04p).]