agproducer -
100% agree that being correct is more important than being first.
I like your insights on the print/tv dynamic in bigger markets. I've often wondered about it since I've mostly been in smaller markets.
At all my small-market stops, the emphasis has been on investigative work and digging up the story first because if we beat TV to something, they can respond to it that night. If they beat us to something and run it at 6 (or worse, 10), we'll be at least one, maybe two days late to the party. So the emphasis is always on being very proactive. And you're right, I definitely have far more time to develop my stories than my tv or radio peers do.
The biggest market I ever worked in was interning at WOR radio, a news station in NYC. That job was almost entirely reactive. News breaks, I grab a recorder and run to the scene. I don't remember us breaking a single story that wasn't brought to us on a silver platter. It was fun as hell, though!
Ultimately, the reason I opted for print over radio is because I hated that pressure to cram every story into 30-90 seconds. Some stories are just too complex and don't fit well in the TV/Radio medium.
Do the constrictions of what does and doesn't translate well to TV ever drive you nuts?
100% agree that being correct is more important than being first.
I like your insights on the print/tv dynamic in bigger markets. I've often wondered about it since I've mostly been in smaller markets.
At all my small-market stops, the emphasis has been on investigative work and digging up the story first because if we beat TV to something, they can respond to it that night. If they beat us to something and run it at 6 (or worse, 10), we'll be at least one, maybe two days late to the party. So the emphasis is always on being very proactive. And you're right, I definitely have far more time to develop my stories than my tv or radio peers do.
The biggest market I ever worked in was interning at WOR radio, a news station in NYC. That job was almost entirely reactive. News breaks, I grab a recorder and run to the scene. I don't remember us breaking a single story that wasn't brought to us on a silver platter. It was fun as hell, though!
Ultimately, the reason I opted for print over radio is because I hated that pressure to cram every story into 30-90 seconds. Some stories are just too complex and don't fit well in the TV/Radio medium.
Do the constrictions of what does and doesn't translate well to TV ever drive you nuts?