AI Music Artists...your thoughts

4,958 Views | 83 Replies | Last: 1 mo ago by boy09
Macarthur
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G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


Yes and no. If a college student uses AI to do their work, we rightfully so, discourage that and look down upon it.

And I think Art is soemthing different. Making art and producing a spreadsheet just aren't the same thing, IMO. I think it's something that is uniquely human and should be held to a diff standard.

I guess the bottom line is if an artist is using AI to help them, that's their prerogative but if AI is creating the 'art' from scratch, that is just not art, to me.
Philo B 93
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Macarthur said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


Yes and no. If a college student uses AI to do their work, we rightfully so, discourage that and look down upon it.

And I think Art is soemthing different. Making art and producing a spreadsheet just aren't the same thing, IMO. I think it's something that is uniquely human and should be held to a diff standard.

I guess the bottom line is if an artist is using AI to help them, that's their prerogative but if AI is creating the 'art' from scratch, that is just not art, to me.


The only technology I want in music creation is an electric guitar tuner.
nai06
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G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.
I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

It's total bull **** that Anthropic was allowed to settle their lawsuit by paying pennies on the dollar for stealing the works of human authors.
javajaws
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Philo B 93 said:

Macarthur said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


Yes and no. If a college student uses AI to do their work, we rightfully so, discourage that and look down upon it.

And I think Art is soemthing different. Making art and producing a spreadsheet just aren't the same thing, IMO. I think it's something that is uniquely human and should be held to a diff standard.

I guess the bottom line is if an artist is using AI to help them, that's their prerogative but if AI is creating the 'art' from scratch, that is just not art, to me.


The only technology I want in music creation is an electric guitar tuner.

What good is a tuner if you won't have an electric guitar? Or do you not think that an electric guitar has any "technology" in it? Would you like a reverb pedal with that non-existent guitar too?

What about microphones and A/D converters? DAW software? The list goes on and on...

I get your point - but its a bad one.
"Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety." - Ben Franklin
GreasenUSA
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this is my face reading much of this thread
G Martin 87
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nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.
I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.
Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.
TyHolden
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I've played this song probably 100 times...

I hope I did not offend anybody with this post. If I did, please come see me at my address in my profile so we can talk.
Philo B 93
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javajaws said:

Philo B 93 said:

Macarthur said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


Yes and no. If a college student uses AI to do their work, we rightfully so, discourage that and look down upon it.

And I think Art is soemthing different. Making art and producing a spreadsheet just aren't the same thing, IMO. I think it's something that is uniquely human and should be held to a diff standard.

I guess the bottom line is if an artist is using AI to help them, that's their prerogative but if AI is creating the 'art' from scratch, that is just not art, to me.


The only technology I want in music creation is an electric guitar tuner.

What good is a tuner if you won't have an electric guitar? Or do you not think that an electric guitar has any "technology" in it? Would you like a reverb pedal with that non-existent guitar too?

What about microphones and A/D converters? DAW software? The list goes on and on...

I get your point - but its a bad one.

Websters defines a joke as:
a: something said or done to provoke laughter
especially a brief oral narrative with a climactic humorous twist, or
b : the humorous or ridiculous element in something

I'll admit that my guitar tuner comment was not that funny or really funny at all, but the point behind it is that I agree with anyone here saying that they don't care for AI in music creation. I considered the difference between "AI" and "technology" before posting, but I thought it was a succinct way to support a side in this discussion. I am delighted, however, that you do get my point.
62strat
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DargelSkout said:

I'll go against the grain. I think the covers are fun to listen to. Like this one. But other than that I prefer real music from real people.


Humans can still make amazing and interesting genre crossing covers though.. I'd rather support an actual musician







These musora sessions are for the most part come up with on the spot, like an hour or less.. which really highlights the human talent element. Knowing it came from a human is just so much more attractive to me, as a musician myself.
Ryan the Temp
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G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

AI doesn't know how to steal like an artist, though.
boy09
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G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.
G Martin 87
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boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.
Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.
dave94
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G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.
G Martin 87
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dave94 said:

G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.
Other than speed, is it really?
AustinAg2K
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I don't have a problem with AI created music. It's just another form of creativity in my opinion. This is true for anything artistic...

I DO have a huge problem with AI training on other's people's work without their consent. If an artist wants to donate or sell their work for the use of AI, that's fine, but the AI companies should have to get their consent. I don't know about music, but I've seen some graphic programs that entirely trained on approved work. They aren't as good as the major models, but I still prefer them because of the ethics.
fig96
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G Martin 87 said:

dave94 said:

G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.
Other than speed, is it really?
Yes.

A human artist still needs the skill to execute what they've been influenced by, whether that be in music or art or design.

AI enables anyone to skip those steps and just say "make a thing that's like this" with no actual skill involved.
Frok
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Authenticity will be the wave of the future. Guitar/bass/drums/keys. No AI, no auto-tune, no backing tracks.....at least I hope
Average Joe
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I've been digging the **** out of Promptgenix. Y'all can call it music or you can call it whatever you want, but whatever you do end up calling it, it sounds awesome.
G Martin 87
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fig96 said:

G Martin 87 said:

dave94 said:

G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.
Other than speed, is it really?
Yes.

A human artist still needs the skill to execute what they've been influenced by, whether that be in music or art or design.

AI enables anyone to skip those steps and just say "make a thing that's like this" with no actual skill involved.
OK, finally someone has a good argument here. Theft is not the issue; humans and AI both steal and use existing patterns to make art. So let's talk about skill. Would you agree that synths, DAWs, drum machines, autotune, guitar pedals, and similar technology are simply tools that allow less skilled musicians to make better music? And that highly skilled musicians can use the same tools to make even better music? Is Tom Scholz the greatest musician who ever lived? Or the worst? For that matter, where does deadmaus rank?

ETA: Let's boil it down to the real, root problem that musicians have with AI: resentment. AI didn't have to put in the time practicing over and over to get that tricky passage just right. AI doesn't have to play through the pain of fingers on strings until callouses develop. I'm not saying that's not a valid feeling, or disagreeing with the complaint that AI makes it "too easy", that "AI never had to pay the dues to get good." That's what galls.
G Martin 87
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Average Joe said:

I've been digging the **** out of Promptgenix. Y'all can call it music or you can call it whatever you want, but whatever you do end up calling it, it sounds awesome.
I agree. promptgenix is worth a listen for the skeptical. There's some really interesting musical ideas in there.





But if you want something less experimental and more familiar, how about this? If you like the Black Keys, or even just the blues in general, you'll probably like this a lot.



62strat
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G Martin 87 said:

fig96 said:

G Martin 87 said:

dave94 said:

G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.

Other than speed, is it really?

Yes.

A human artist still needs the skill to execute what they've been influenced by, whether that be in music or art or design.

AI enables anyone to skip those steps and just say "make a thing that's like this" with no actual skill involved.

OK, finally someone has a good argument here. Theft is not the issue; humans and AI both steal and use existing patterns to make art. So let's talk about skill. Would you agree that synths, DAWs, drum machines, autotune, guitar pedals, and similar technology are simply tools that allow less skilled musicians to make better music? And that highly skilled musicians can use the same tools to make even better music? Is Tom Scholz the greatest musician who ever lived? Or the worst? For that matter, where does deadmaus rank?

ETA: Let's boil it down to the real, root problem that musicians have with AI: resentment. AI didn't have to put in the time practicing over and over to get that tricky passage just right. AI doesn't have to play through the pain of fingers on strings until callouses develop. I'm not saying that's not a valid feeling, or disagreeing with the complaint that AI makes it "too easy", that "AI never had to pay the dues to get good." That's what galls.

let's not discount that some bands are bigger than their parts. Is lars or kirk in the top 10 of greatest of what they do? Probably not on most lists, but together, with James, they've made something that is.

AI doesn't have that component.
fig96
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G Martin 87 said:

fig96 said:

G Martin 87 said:

dave94 said:

G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.

Other than speed, is it really?

Yes.

A human artist still needs the skill to execute what they've been influenced by, whether that be in music or art or design.

AI enables anyone to skip those steps and just say "make a thing that's like this" with no actual skill involved.

OK, finally someone has a good argument here. Theft is not the issue; humans and AI both steal and use existing patterns to make art. So let's talk about skill. Would you agree that synths, DAWs, drum machines, autotune, guitar pedals, and similar technology are simply tools that allow less skilled musicians to make better music? And that highly skilled musicians can use the same tools to make even better music? Is Tom Scholz the greatest musician who ever lived? Or the worst? For that matter, where does deadmaus rank?

ETA: Let's boil it down to the real, root problem that musicians have with AI: resentment. AI didn't have to put in the time practicing over and over to get that tricky passage just right. AI doesn't have to play through the pain of fingers on strings until callouses develop. I'm not saying that's not a valid feeling, or disagreeing with the complaint that AI makes it "too easy", that "AI never had to pay the dues to get good." That's what galls.

There's nothing wrong with tools that make the process easier. But truly great musicians can make music with or without those tools, they just enable them to do different things. The not very good musicians aren't very good with them.

Your argument discounts what those reps do. It's like how Renaissance painters learned by copying existing paintings, that's where the actual education comes in.

You're not only learning how to play, how to paint, how to design. You're making mistakes and learning how to adjust from them, you're learning what works and what doesn't work, you're finding new patterns or techniques on accident, you're learning what the masters of that craft did and starting to understand their choices.

You're learning taste.
boy09
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G Martin 87 said:

Average Joe said:

I've been digging the **** out of Promptgenix. Y'all can call it music or you can call it whatever you want, but whatever you do end up calling it, it sounds awesome.

I agree. promptgenix is worth a listen for the skeptical. There's some really interesting musical ideas in there.





But if you want something less experimental and more familiar, how about this? If you like the Black Keys, or even just the blues in general, you'll probably like this a lot.





These are horrible. lol
G Martin 87
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fig96 said:

G Martin 87 said:

fig96 said:

G Martin 87 said:

dave94 said:

G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.

Other than speed, is it really?

Yes.

A human artist still needs the skill to execute what they've been influenced by, whether that be in music or art or design.

AI enables anyone to skip those steps and just say "make a thing that's like this" with no actual skill involved.

OK, finally someone has a good argument here. Theft is not the issue; humans and AI both steal and use existing patterns to make art. So let's talk about skill. Would you agree that synths, DAWs, drum machines, autotune, guitar pedals, and similar technology are simply tools that allow less skilled musicians to make better music? And that highly skilled musicians can use the same tools to make even better music? Is Tom Scholz the greatest musician who ever lived? Or the worst? For that matter, where does deadmaus rank?

ETA: Let's boil it down to the real, root problem that musicians have with AI: resentment. AI didn't have to put in the time practicing over and over to get that tricky passage just right. AI doesn't have to play through the pain of fingers on strings until callouses develop. I'm not saying that's not a valid feeling, or disagreeing with the complaint that AI makes it "too easy", that "AI never had to pay the dues to get good." That's what galls.

There's nothing wrong with tools that make the process easier. But truly great musicians can make music with or without those tools, they just enable them to do different things. The not very good musicians aren't very good with them.

Your argument discounts what those reps do. It's like how Renaissance painters learned by copying existing paintings, that's where the actual education comes in.

You're not only learning how to play, how to paint, how to design. You're making mistakes and learning how to adjust from them, you're learning what works and what doesn't work, you're finding new patterns or techniques on accident, you're learning what the masters of that craft did and starting to understand their choices.

You're learning taste.
I wouldn't agree with "you're learning taste", unless you just mean "you're learning what you like to play and listen to". What you're really doing is paying your dues to earn credibility with other musicians. And even then, Mozart was resented. Michelangelo was resented. So the reps aren't the whole point for artists anyway. Art is filled with hopeful artists who toiled and iterated and put in the work only to be eclipsed by others who were better with less effort, or just lucky. So again, we're back at an uncomfortable truth: AI usage in art is reviled because it's easy. Not because it can't produce good art.
G Martin 87
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AG
You're entitled to your opinion. I dig it.
fig96
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G Martin 87 said:

fig96 said:

G Martin 87 said:

fig96 said:

G Martin 87 said:

dave94 said:

G Martin 87 said:

boy09 said:

G Martin 87 said:

nai06 said:

G Martin 87 said:

Ryan the Temp said:

As a composer, I am ardently opposed to the use of AI for music creation, The human element is what makes music interesting and nuanced.

I understand your opposition, but respectfully, AI is no different than any other tool that makes work easier, including creative work. It can be used skillfully or poorly, like any musical instrument. The toothpaste is out of the tube; you can't force it back in, wish it away, or ignore it.


The difference is that AI output is inherently based on theft of human created works. It cannot exist without stealing the work of others.

Sorry, but this is just silly. Human artists have stolen from each other continuously in every creative endeavor, in every culture, and in every age going back thousands of years. If theft is your argument against AI, then be consistent and condemn all human artists as well.

Human artist are condemned for stealing all the time. They literally get sued for it if proper credit isn't given.

Yes, but I'm responding to nai06, who hasn't had that "aha" moment yet.

It's still VERY different for an artist to be influenced by music they've heard vs. a computer engine recycling all the music that has ever been recorded.

Other than speed, is it really?

Yes.

A human artist still needs the skill to execute what they've been influenced by, whether that be in music or art or design.

AI enables anyone to skip those steps and just say "make a thing that's like this" with no actual skill involved.

OK, finally someone has a good argument here. Theft is not the issue; humans and AI both steal and use existing patterns to make art. So let's talk about skill. Would you agree that synths, DAWs, drum machines, autotune, guitar pedals, and similar technology are simply tools that allow less skilled musicians to make better music? And that highly skilled musicians can use the same tools to make even better music? Is Tom Scholz the greatest musician who ever lived? Or the worst? For that matter, where does deadmaus rank?

ETA: Let's boil it down to the real, root problem that musicians have with AI: resentment. AI didn't have to put in the time practicing over and over to get that tricky passage just right. AI doesn't have to play through the pain of fingers on strings until callouses develop. I'm not saying that's not a valid feeling, or disagreeing with the complaint that AI makes it "too easy", that "AI never had to pay the dues to get good." That's what galls.

There's nothing wrong with tools that make the process easier. But truly great musicians can make music with or without those tools, they just enable them to do different things. The not very good musicians aren't very good with them.

Your argument discounts what those reps do. It's like how Renaissance painters learned by copying existing paintings, that's where the actual education comes in.

You're not only learning how to play, how to paint, how to design. You're making mistakes and learning how to adjust from them, you're learning what works and what doesn't work, you're finding new patterns or techniques on accident, you're learning what the masters of that craft did and starting to understand their choices.

You're learning taste.

I wouldn't agree with "you're learning taste", unless you just mean "you're learning what you like to play and listen to". What you're really doing is paying your dues to earn credibility with other musicians. And even then, Mozart was resented. Michelangelo was resented. So the reps aren't the whole point for artists anyway. Art is filled with hopeful artists who toiled and iterated and put in the work only to be eclipsed by others who were better with less effort, or just lucky. So again, we're back at an uncomfortable truth: AI usage in art is reviled because it's easy. Not because it can't produce good art.

Disagree. And I'm not saying that reps are the point, I'm saying they're what builds up your vocabulary, taste, and make you truly great.

Let's use your example of deadmau5. Is he an amazing traditional musician? Probably not, though I bet he'd surprise some people as he was dabbling in electronic music in a lot of different forms early on in his life.

But you know what he does know? That exact moment when a beat needs to drop, down to the fraction of a second. He know when the average person would do it, and he knows he's going to wait a fraction of a second longer or to do it somewhere else that's unexpected. And he knows that because he's done it thousands of times.

Someone creating with AI can't replicate that, because they don't have that experience. They haven't put in the reps. They're never going to be as good as he is at what he does.

A person with minimal experience can make something passable for a lot of folks with AI. But an artist experienced in that field can pick apart the issues with AI created content because they're really obvious to someone who knows what they're doing.

Will it get better? Most likely, but it's never going to have the depth or soul or true creativity of something created by an artist who truly understands the medium.
Philo B 93
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It's disheartening to see that anyone is okay with having music fed to them by computers. That's some real Matrix **** right there. "Just put me in a cocoon with amniotic fluid and feeding tubes and use me as you will."

I'm happy to see so many people opposed to AI music. It looks that for the rest of my life, there will be a big group of poeple who want music played on real instruments by real people instead of music made by digital prompts from a guy who wants to hear a "blues song that sounds like the Black Keys" or whatever.
62strat
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fig96 said:


But you know what he does know? That exact moment when a beat needs to drop, down to the fraction of a second. He know when the average person would do it, and he knows he's going to wait a fraction of a second longer or to do it somewhere else that's unexpected. And he knows that because he's done it thousands of times.

I have to kind of lol at this.
is this really a thing? Is a crowd full of drugged up 20 somethings really going to know the difference in a fraction of a second beat drop?
dave94
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62strat said:

fig96 said:


But you know what he does know? That exact moment when a beat needs to drop, down to the fraction of a second. He know when the average person would do it, and he knows he's going to wait a fraction of a second longer or to do it somewhere else that's unexpected. And he knows that because he's done it thousands of times.

I have to kind of lol at this.
is this really a thing? Is a crowd full of drugged up 20 somethings really going to know the difference in a fraction of a second beat drop?

IYKYK
fig96
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62strat said:

fig96 said:


But you know what he does know? That exact moment when a beat needs to drop, down to the fraction of a second. He know when the average person would do it, and he knows he's going to wait a fraction of a second longer or to do it somewhere else that's unexpected. And he knows that because he's done it thousands of times.

I have to kind of lol at this.
is this really a thing? Is a crowd full of drugged up 20 somethings really going to know the difference in a fraction of a second beat drop?

I personally have no idea, not my scene. And maybe not the best example, only used him since it had been mentioned earlier in the discussion.

The point I was attempting to make is that only people who have put in the work understand the tiny nuances of their craft that take it from good to great.
G Martin 87
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Average Joe
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I find it odd that people complain about AI music in a world full of synthesizers, pedals, looping, sampling, electronica, etc.
62strat
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Average Joe said:

I find it odd that people complain about AI music in a world full of synthesizers, pedals, looping, sampling, electronica, etc.
how are those anything artificial?
Those are instruments and/or tools. Is a guitar amp AI in your mind as well? What about a keyboard with different sounds and patches?

As a guitar player who has used pedals and loopers for decades, this comment is baffling to me.
Average Joe
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62strat said:

Average Joe said:

I find it odd that people complain about AI music in a world full of synthesizers, pedals, looping, sampling, electronica, etc.

how are those anything artificial?
Those are instruments and/or tools. Is a guitar amp AI in your mind as well? What about a keyboard with different sounds and patches?

As a guitar player who has used pedals and loopers for decades, this comment is baffling to me.

Most of those examples are just playing a recording. You're not playing music. You're pressing a play button. Pedals might be the outlier, but not by much. You can swap it for autotune if you want.
dave94
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It's still a human being making choices and finding the sound they want through trial and error. Not a machine that is using all the data they've gathered to produce something FOR a human being.
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