M.C. Swag said:
Sapper Redux said:
YouBet said:
I enjoyed the movie, but Matt Walsh's takes are largely correct. I think many are overlooking that Nolan made this movie a modern message about war and PTSD instead of sticking to the story. Both takes can be true. I can like it and recognize what was done with the film.
And, I think most are missing that because very few have read the story since high school and simply don't recall the original.
FTR, I really have no idea who Matt Walsh even is since I'm not on social media. I know he's a conservative talking head and that's it.
Just curious, but can an interpretation of the Odyssey ever make any changes to the source material? I realize you said you liked it so I'm not really critiquing you, but more the Matt Walsh's of the world.
The gnashing of teeth over the casting and emphasis in the story is just absurdly stupid. This is not a religious text. It's an oral tradition eventually written and adapted across millennia. Hell, the Romans went to town and wrote a fan fic based on the Iliad and Odyssey. The translations and obsessions over appearance that these chuds seem fixated on were products of the 19th century.
lol i tried to bring this up before. Homer may not have actually even existed. This whole thing is a Frankenstein of oral tradition that was rooted in ancient religion and then morphed into something else over time. It's crazy to confine this 'story' to 1 theme, style, or context because it NEVER was confined to even a single author. The battle of troy (if it actually occurred) was roughly 500 years before the poem was believed to be written. It's a complete work of fiction rooted in amorphous interpretation and evolution. This movie is Nolan's interpretation.
I largely agree with this. If people are disappointed that the film wasn't a more faithful, page-to-screen adaptation from one of the
many interpretations, that's completely fair. I don't personally share that view, but that's just a matter of taste. Likewise, I think it's just as silly to act as though any fair criticism of Nolan's interpretation is illegitimate as it is for people on Twitter to call it a "flop" or claim it only exists because of DEI, or buy into conspiracy theories about studios purchasing entire theaters to inflate ticket sales. I am more bothered by people coming on here and parroting that **** without even having seen the movie for themselves. Or without having interest in seeing it, for that matter.
Nolan has always been pretty clear that he isn't interested in making a museum piece. He tells stories the way he wants to tell them, and his track record speaks for itself. Whether that approach works for someone is entirely subjective. Personally, I really enjoyed this interpretation. I wish I had gotten the 'Nobody' pun with the Cyclops, sure. But I didn't need one year of Damon and Circe, and had I seen a bearded Zeus hurling lightning bolts from the peak of Mount Olympus, I probably would've rolled my eyes.
Like you said, we're discussing a fictional story that is thousands of years old, based on mythology, that was interpreted over and over again and largely shown via puppet shows in theaters because most people were illiterate. This is just a different interpretation of the story.