I enjoyed the Phil Collins sequence as well. The soundtrack is great overall, even though it *is* inexplicably "from someone born in 1968," as I heard it described yesterday.
And yeah, parts of the movie are definitely smart/clever as well. I genuinely liked a lot of it.
I think I was just thrown by how long it took the plot to get going, how long it took me to understand who the henchmen/bad guys were, how much could have been trimmed, and how goofy it was in general, especially in the third act. For me, it went from a heightened reality, which was mostly fine, to something so batsh*t, over-the-top, and filled with holes that I just kind of checked out by the end.
And yeah, parts of the movie are definitely smart/clever as well. I genuinely liked a lot of it.
I think I was just thrown by how long it took the plot to get going, how long it took me to understand who the henchmen/bad guys were, how much could have been trimmed, and how goofy it was in general, especially in the third act. For me, it went from a heightened reality, which was mostly fine, to something so batsh*t, over-the-top, and filled with holes that I just kind of checked out by the end.