An honest question (or two):
1) Are the "headlining" bands the ones that actually make the $$ for you guys?
2) Was the reason NGMF didn't turn a profit last year due in part/whole to a problem with the headlinging act?
I have rarely attended those "headlining" acts' shows during NXNG/NGMF and opted instead to see, the (sometimes)lesser-known artists at the small venues. Some of the best times I've had at the festival include seeing bands I'd NEVER heard of before. I've always bought an all-event pass and would happily continue to do so EVEN IF Blue October, Feeding 5000, or some other clone doesn't even have a spot on the bill. My experience with the event has been that people typically buy the ticket to go see thier friends play, or just as an excuse to go party on NG for half the week. I wonder if it's truly a question of getting just the "right" headliner, or actually promoting the whole event itself that makes-or-breaks the profit margin.
1) Are the "headlining" bands the ones that actually make the $$ for you guys?
2) Was the reason NGMF didn't turn a profit last year due in part/whole to a problem with the headlinging act?
I have rarely attended those "headlining" acts' shows during NXNG/NGMF and opted instead to see, the (sometimes)lesser-known artists at the small venues. Some of the best times I've had at the festival include seeing bands I'd NEVER heard of before. I've always bought an all-event pass and would happily continue to do so EVEN IF Blue October, Feeding 5000, or some other clone doesn't even have a spot on the bill. My experience with the event has been that people typically buy the ticket to go see thier friends play, or just as an excuse to go party on NG for half the week. I wonder if it's truly a question of getting just the "right" headliner, or actually promoting the whole event itself that makes-or-breaks the profit margin.