YES. The rich guy in Contact is who I was trying to think of when I was listing those guys. I knew there was someone who fit the mold a bit better.
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I thought this movie was bad. So many stupid moments and shock scenes made it seem like it was attempting to be a campy horror movie.
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Great story. Terrible script. A++ production design and effects.
It's a shame because this one could have been really damn good. I still can't get over how bad the script was...what a mess.
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If the black ooze is a WMD, then why is it used to crease life at the beginning?
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There is going to be a prometheus 2, its pretty obvious. you arent SUPPOSED to have the answers to all the questions you are asking. Think of this movie as a prequel to the real prequel - at least thats my guess. Thats like saying that you should know exactly how the events in alien: resurrection came to be after only watching the first alien movie.
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Finally, just to get it out my system, since I'm on a tangent, another big problem I had was casting Guy Pierce as a 90+ year-old Weyland. I love Guy Pierce, but there was NO POINT in having him in sh*tty old-age make-up. If casting Pierce so they could use a "younger" version of him in the viral video was the only point in doing so, A) that's ridiculous, and B) just cast a different, younger actor. Have Christopher Plummer or someone play old Weyland, then just get another actor for young Weyland in the viral video that only a tiny, tiny portion of your audience is going to see. I loved the idea of cooky old Weyland - in the vien of Howard Hughes or John Hammond - basically spending his vast fortune to meet his maker, but every single time the camera was on old man Guy Pierce, it took me right out of the movie.
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it felt more like Friday the 13th type slasher movie.
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Wife and I both thought it was terrible. Then again, we aren't fans of Alien, so that might be it.


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sharkenleo - Sorry, I didn't mean connecting the dots to Alien. I loved that Prometheus ended where it did / how it did. I meant connecting the dots within it's own story. Just stuff like spelling it out a tad bit more what David's motivation was for spiking Charlie's drink. Things like that. Trust me, I'm the first one to complain about spoon-feeding the audience, but I also think there comes a point at which being too vague/mysterious is a hindrance. It's that whole J,J. Abrams mentality of keeping things a secret just for the sake of keeping things a secret. It doesn't serve the story or your audience when you're being THAT vague.