No, I can barely even work my 3 year old cameras.
The Nikon ones (Z6 & Z7) do or did come with an adapter and it works very well.AggieDruggist89 said:
Man... What a nightmare....more lens mounts and or adaptors.
So I guess I will stick with my EF and u43 until there is a profound equipment advance in photography.
Or was it really you that was busted??javajaws said:
That moment you're processing pictures of your wife and you realize you caught yourself red handed...
I'm not Guitarsoup, but I can tell you the first question he'd ask is, what about the 5500 limits your photography now that you expect the D750 to fix?Raptor said:
Nikon D750 is on sale for $899 right now. I currently use D5500.
Would this be a significant enough upgrade to warrant the purchase?
Love the WiFi, love the 6.5fps, and the full frame is intriguing.
Also, would I need new lenses or will my 70-200 2.8 and other lenses be fine on the D750?
Maximus_Meridius said:I'm not Guitarsoup, but I can tell you the first question he'd ask is, what about the 5500 limits your photography now that you expect the D750 to fix?Raptor said:
Nikon D750 is on sale for $899 right now. I currently use D5500.
Would this be a significant enough upgrade to warrant the purchase?
Love the WiFi, love the 6.5fps, and the full frame is intriguing.
Also, would I need new lenses or will my 70-200 2.8 and other lenses be fine on the D750?
It's a fantastic camera. I absolutely love mine, and it was a no-brainer to upgrade from my D60 that was over 10 years old. I got mine refurbished from B&H 2 years ago and it's given me zero problems.
and what did you do when you only had one roll of film in your SLR ...or the early DSLR's only had ONE card slot? I mean I get it, but not really.Guitarsoup said:Canon and Nikon released mirrorless cameras and both are capable, but myself and a lot of other pros aren't adopting them because they are single card slot.AggieDruggist89 said:
So I've not kept up with photo equipment for the past 2 years? So what's gotten better??
agracer said:and what did you do when you only had one roll of film in your SLR ...or the early DSLR's only had ONE card slot? I mean I get it, but not really.Guitarsoup said:Canon and Nikon released mirrorless cameras and both are capable, but myself and a lot of other pros aren't adopting them because they are single card slot.AggieDruggist89 said:
So I've not kept up with photo equipment for the past 2 years? So what's gotten better??
If only clients judged my work by the technology available 50 years ago and not what is currently available.agracer said:and what did you do when you only had one roll of film in your SLR ...or the early DSLR's only had ONE card slot? I mean I get it, but not really.Guitarsoup said:Canon and Nikon released mirrorless cameras and both are capable, but myself and a lot of other pros aren't adopting them because they are single card slot.AggieDruggist89 said:
So I've not kept up with photo equipment for the past 2 years? So what's gotten better??
I was shooting with a D7000 and 70-200/2.8 just fine at 1600 and sometimes 2000 under lousy HS stadium lights and gyms. Not sure whey you think you need 6400? Just shoot NEF and bump up the exposure a bit in LR or ViewNX.Sweet Kitten Feet said:
Im considering this. I currently shoot primarily sports with a D7100 and 70-200 2.8. Im looking to get better high ISO quality. D7100 maxes at 6400 and this one maxes at 12800. With the light i shoot in I'm having to even bump the exposure up a bit in lightroom to still maintain the shutter speed I want. This one also seems to have a better auto focus system. Plus full frame opens up more lenses and more creative options for me.
While I don't shoot events for money, I've still never lost a card in 10+ years of DSLR shooting (SD and now XQD). I just think the whole 1-card thing is a bit overblown. I get you don't want to risk it though. My Z6 is a fantastic camera.Guitarsoup said:If only clients judged my work by the technology available 50 years ago and not what is currently available.agracer said:and what did you do when you only had one roll of film in your SLR ...or the early DSLR's only had ONE card slot? I mean I get it, but not really.Guitarsoup said:Canon and Nikon released mirrorless cameras and both are capable, but myself and a lot of other pros aren't adopting them because they are single card slot.AggieDruggist89 said:
So I've not kept up with photo equipment for the past 2 years? So what's gotten better??
And back then, people lost entire shoots and rolls of film. I did a maternity shoot in medium format and the lab lost the film. Reshoot.
I can't really reshoot a wedding, can I?
What shutter speed were you using? I know how to properly expose an image and read my lightmeter and histogram. I'm shooting 1/800 minumum and usually 1/1000 in order to freeze action. For sports action I'll take a little grain over motion blur any day, unless blur is what I'm going for like a motion pan. In the stadiums I'm shooting that puts me typically 4000-6400. I shoot auto ISO with 6400 as the max as the light is never consistent as you move around, or it goes from dusk to night.Quote:
I was shooting with a D7000 and 70-200/2.8 just fine at 1600 and sometimes 2000 under lousy HS stadium lights and gyms. Not sure whey you think you need 6400? Just shoot NEF and bump up the exposure a bit in LR or ViewNX.
I really do like the idea of full frame to open up more options to me. I also like to shoot wide angle and landscapes. And full frame would open up a lot more creative options for me. I just don't know if it's worth to me to buy a new body unless it's full frame.Quote:
The D7500 is every bit as good (but not full frame) and only $800 at B&H Photo new (same sensor as D500 and IIRC mostly the same AF system as D500).
I've noticed a lot of the pros that get hired to shoot special events at football games really have no idea how to shoot outdoors in low light. I'm sure they're great in the studio or with their portable strobes and modifiers. But especially the action shots, they just don't understand.Quote:
I went from my D7000 to a Z6 with the FTZ adapter and it's been fantastic. I shot my son's soccer game a month back under stadium lights next to a pro the team hired to take photos for senior night and my photos look a lot better. Virtually no grain in the images compared to the d500 images from the pro.
Shooting for yourself and a paying client is a very, very different thing.agracer said:While I don't shoot events for money, I've still never lost a card in 10+ years of DSLR shooting (SD and now XQD). I just think the whole 1-card thing is a bit overblown. I get you don't want to risk it though. My Z6 is a fantastic camera.Guitarsoup said:If only clients judged my work by the technology available 50 years ago and not what is currently available.agracer said:and what did you do when you only had one roll of film in your SLR ...or the early DSLR's only had ONE card slot? I mean I get it, but not really.Guitarsoup said:Canon and Nikon released mirrorless cameras and both are capable, but myself and a lot of other pros aren't adopting them because they are single card slot.AggieDruggist89 said:
So I've not kept up with photo equipment for the past 2 years? So what's gotten better??
And back then, people lost entire shoots and rolls of film. I did a maternity shoot in medium format and the lab lost the film. Reshoot.
I can't really reshoot a wedding, can I?
MonkeyKnifeFighter said:
Count me in too as someone who's had a high-quality SD card corrupt either during a shoot or in the time between shooting and unloading. It happens. I'd hate to have to tell a client that.