Good Lord dude, chill. You sound manic.
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Another voice of reason about this film. It will not age well, everyone in this forum is high on the hype and "stunts".
I agree with TCTTS on 96% of his comments here, but he is dead wrong with his last comment.
TC- You literally take a whole paragraph admitting and outlining all the flaws with this film...and there are MANY reason to not like it.
I said those were my problems with the FIRST HALF of the film. Not the second half. And that even those first half problems didn't take away from my overall enjoyment. That, and at least its problems were in service of the story. If I had to pick between zero context and too much context, I'd choose the latter every time. Too much exposition/nostalgia is a minor complaint in the grand scheme of things.
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The next thing you say is "but, it's a fun time and you're dead inside if you didn't love it". I mean....come on, really?? The two BEST action scenes ever put to film. Don't be ridiculous. That may be the craziest thing you've said in a long while. Great stunt- YES. How they filmed it- super impressive. Maybe the most daring and dangerous ever done, no doubt...but, neither of them were good scenes. You have to care and understand what's happening and have 'some' small doubt about how it will end for it to be a great action scene. You all are saying that you were on the edge of your seat. Why? Where was the suspense?
I stand by my statement 100%. Which, oddly enough, you basically confirm yourself, seeing as I'm speaking mainly in terms of the technical achievement aspect. They were both bonkers-insane, never-before-attempted stunts, and yes, absolutely, beyond a shadow of a doubt, two of the most impressive stunts/action scenes I've ever seen put to film. A LOT of people are saying the same thing too. You're in the minority there, buddy.
Regardless, whether they were "good scenes" or not is a
subjective opinion. *I* thought they were. IMO, they each had crystal clear objectives, crystal clear stakes, I absolutely cared what was going to happen, and I was on the edge of my seat as to how Ethan was going to manage his way out.
I honestly don't understand how you
didn't find them suspenseful. Out of all eight movies, this is the only one where there's any chance of Ethan
actually dying. Yet for some reason you're complaining about these two action scenes and not every other action sequence in every other
Mission: Impossible movie, where there was ZERO chance he was going to die. This complaint makes no sense to me in that regard.
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Ethan Hunt has the thickest and most unbelievable plot armor of ANY character, EVER.
That's what's so fun about it!
Ethan-as-plot-armor IS the franchise.
95% of the time the suspense is in HOW he's going to get out of this mess, not IF he's going to get out of this mess. It's about HOW he's going to pull off the impossible, KNOWING he's going to pull off the impossible.
That's the whole conceit.
To the point where it's *in* the damn movie title.
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Rolling subs on the ocean floor....bi-planes?? I mean, so silly. I still don't understand how or why there would be bi-planes sitting around...I even googled "are there still a lot of bi-planes in Africa" after I saw the movie. The answer is no.
Gabriel literally explained this, word for word.
He said he brought bi-planes because they're analogue and therefore can't be hacked or traced by the entity. An explanation that made perfect sense, though you clearly missed it due to what I can only assume was your performative guffawing.
Not to mention, it was an homage to "wing walking," which is an old thing stunt performers used to do back in the day on biplanes. In other words, with their very last franchise stunt together, Cruise and McQuarrie decided to pay homage to their stunt-man roots, in a fun way that they actually managed to tie in to the plot. I'm sorry, but that's a really cool wink and a nod and speaks directly to the whole "joyless" thing I was talking about. No one is asking you to turn your brain off completely, but when it comes to stuff like this just try to appreciate the thought, care, effort, and symbolism that went into it, rather than ****ting all over it, especially when it's obvious that said ****ting is at least partly do to you missing key information.