New Guitar Day

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Lathspell
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AG
The DGT is the only PRS I've played that I really gelled with.

Unfortunately, I already have two of them. One with a 10-Top and one a wood library with a korina neck and Brazilian rosewood fretboard. I can't really justify owning two, let alone another one.
jvd2002
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I have a wood library DGT as well….and absolutely LOVE it!!!
Lathspell
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AG
Yeah, the korina neck and brazillian board on mine give it a much snappier and articulate tone, compared to my other one. But the other one is too pretty to get rid of, lol.
jvd2002
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AG
Here's mine….lets see yours!


Lathspell
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AG
No stars, so had to find some free image hosting. Funny thing: David Grissom isn't really a neck pickup guy and very rarely switches to it. But what wow'ed me the most about these guitars is how articulate, woody, and clear the neck pickups are. My Les Paul bridge setting is still preferred over my DGT's, but the neck of my LP has nothing on my DGT's.

Quincey P. Morris
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AG
https://prsguitars.com/electrics/model/jon_jourdan_limited_edition_2026

If anybody had any interest in a stripped down PRS.
maroon barchetta
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Strings are the Stupid Deal of the Day again.

https://www.musiciansfriend.com/stupid?icid=210190
Quincey P. Morris
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I just got offered a goldendoodle puppy for the Custom 22 I have up.
maroon barchetta
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The Custom 22 doesn't poop.
Lathspell
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AG
NGD! Bought myself a present for my 39th birthday. I just haven't really ever gelled with my current strat's neck profile and have been passively watching strats on Reverb for a while. I love the '57 soft 'V' profile necks from the Fender custom shop. Have that profile on my two best Teles and find it to be the most comfortable neck profile for my hands.

I've also learned that I am not a huge fan of Alder bodies. I couldn't tell you the exact tonal character of alder vs swamp ash. All I can can say is, after months of playing any Alder bodied guitar, I always find them not to be what I'm looking for. I've experienced this with Tele's and every strat I've ever owned (I've owned around 12 or so strats and teles in my life). I had never tried a swamp ash bodied strat, but wanted to because light swamp ash fenders tend to be my favorite.

Lastly, I am a fan of relic'ed necks. I know there are many people who mock it, but they are the most comfortable necks in the world to play. I had this one on my watch list for many months. Then, I saw the seller drop the price 10% so decided to offer him even lower to see if he would take it. He did!

Been playing this beauty all weekend and absolutely loving it. It's a '54 70th Anniversary LTD run from the Custom Shop with a set of handwound fat 50's pickups. It's so amazing how different guitars seem to interact between the pickups and electronics. I've never played much with the middle pickup on strats but this one's middle pickup is so addicting to use. And the way the tone circuit is interacting with my pickups just feels different from any of my previous strats. Don't know why these particular pickups with these pots and caps just feel different, but that's the beauty of guitars. They are all unique.

jvd2002
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AG
BEAUTIFUL!!!!! Congrats!
bthotugigem05
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AG
Absolutely beautiful, love that color
maroon barchetta
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Quincey P. Morris
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AG
So not strictly guitar, but does anybody have any good recommendations for in ears? I got a pair that were recommended off Amazon but they're super tinny. I'm not looking to go crazy and get custom molded ones or anything, but something that doesn't sound like ear buds from 1989 would be good.
maroon barchetta
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I'm more interested in earplugs that work at concerts and allow for noise reduction without losing the mix.

My D'Addarios are ok but don't reduce the sound enough. I still end up with ringing.
ravingfans
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Quincey P. Morris said:

So not strictly guitar, but does anybody have any good recommendations for in ears? I got a pair that were recommended off Amazon but they're super tinny. I'm not looking to go crazy and get custom molded ones or anything, but something that doesn't sound like ear buds from 1989 would be good.


For Bluetooth, Shokz have been great. I have the Open Fit 2 (go in a holder which can slip in your pocket) as well as the OpenRun Pro 2 (they are connected behind your head when active). They are a little speaker that is aimed at your ear and the microphone goes off of bone conduction. They have some noise cancelling, but not like an over ear headphone would...

If you want some to wear during a gig or at a concert, I don't think they would be your solution.

ravingfans
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maroon barchetta said:

I'm more interested in earplugs that work at concerts and allow for noise reduction without losing the mix.

My D'Addarios are ok but don't reduce the sound enough. I still end up with ringing.


Ordered these when I went to Formula 1 recently (mainly to reduce the sound coming from the constant droning of the announcers at max volume trying their best to fill every minute of the race with useless babble) .

Loop Experience 2 Ear Plugs

Since they arrived a day late, I did not try these out, but bought some very similar on my way inside. Those worked great and will go with me to future concerts. Can leave them a little loose to give more direct sound or push them in tighter to reduce sound further.

At the gate to enter, a sponsor was giving out free earplugs so could have saved $30 I guess...

Since
Quincey P. Morris
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AG
I should have been more clear. I mean in ear monitors for live performances. My bad.
fav13andac1)c
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Quincey P. Morris said:

I should have been more clear. I mean in ear monitors for live performances. My bad.


I've heard good things about the basic Shures. I have a pair of KZs I've used for about 2 years now and they're fine. I'm only playing worship once a month so don't have a need for something for robust.
Slicer97
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AG
No pictures, but my kid pulled a cheap ass Fender acoustic out of a junk pile. Neck had split lengthwise. For the cost of a bottle of woodglue, 4 $3 C-clamps from Walmart, $4 worth of baseboard trim, and a $12 set of the lightest gauge acoustic strings he could find, he now has an authentic (ie, crappy in a good way) slide guitar in open-C.

He's upgrading pickups and pots on a chinese Squier strat he picked up from a cousin for $60 as practice to rebuild a Peavey T-15. He found the Peavey body in a shed on our property shortly after we bought the house several years ago.

I guess when you buy your kid decent equipment, they get inspired to turn crap stuff into something medium decent for cheap.
maroon barchetta
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He can learn to dress frets, adjust truss rod, intonation, replace hardware, whatever on the $60 guitar and it won't matter if it's not perfect.

Good call.
Slicer97
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Yeah, his current players are a $600ish Alvarez acoustic and a $700ish (prices at time of purchase) Epiphone Les Paul Modern figured top. Two of his cousins started with cheap crap and quit playing after a year or so. I figured I'd get him some mid-range stuff that he wouldn't get bored with.

He'll still have his cheap crap, but it'll be cheap crap that he built/repaired himself. That's different.
maroon barchetta
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fav13andac1)c
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I just can't seem to stop buying circuit boards for pedals. I think I need help. On hand:

Octave/Ch/Vibrato/Digital:
Boss OC-2
EQD Tentacle (Analog Octave Up)
Walrus Audio Julia
Terrarium - Daisy Seed Platform (Arduino for audio)

OD/Boost/Fuzz/Distortion:
SoloDallas Schaffer Replica
EQD Organizer
Shnobel Tone Daily Driver
Greer Lightspeed
Boss BD-2
JHS x EHX Big Muff 2
JHS Crayon
Expandora (JHS Kilt)
Arbiter Fuzz Face (Silicon)
Analogman King of Tone
Keeley Magnetic Echo
ProCo Rat

Other:
Utility Headphone Amplifier
Utility Boost
6-Band EQ
maroon barchetta
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We all know that the only way to be a better guitarist is to buy more gear so you are good.
Lathspell
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AG
Wait... you have an Analogman King of Tone circuit board only? Not the pedal?
fav13andac1)c
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AG
Lathspell said:

Wait... you have an Analogman King of Tone circuit board only? Not the pedal?

https://www.pedalpcb.com/product/paragon/
Lathspell
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AG
Ahh... I see. So you still need some form of enclosure. Do these come with full schematics and descriptions of components?

I've been on the waitlist for my Analogman for over 2 years, now.
fav13andac1)c
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Lathspell said:

Ahh... I see. So you still need some form of enclosure. Do these come with full schematics and descriptions of components?

I've been on the waitlist for my Analogman for over 2 years, now.

Yep! Still need an enclosure, art, parts, assembly, etc. It's basically like adult Legos but I get something useful out of it.

See this pdf for parts list and schematic.

https://docs.pedalpcb.com/project/Paragon-PedalPCB.pdf

The owner of PedalPCB traces the circuitboard and puts the schematic together. For the King of Tone in particular, I'll end up subbing out some of the mojo diodes (also very hard to find) for ones with similar characteristics.
slaughtr
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AG
Strat build in process. Ambrosia maple body, which is much less dense and lighter than hard maple, spalted maple top with layer of purpleheart sandwiched in between. Ambrosia maple, flame maple and purpleheart neck. Roasted flame maple fretboard.

Quincey P. Morris
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AG
Those fret markers look awesome! What's going on there?
slaughtr
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AG
Quincey P. Morris said:

Those fret markers look awesome! What's going on there?


7mm holes, brass tubing that snuggly fits, then filled with purple epoxy. Epoxy is curing now, then I will file/sand flush.
Quincey P. Morris
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AG
I take it it's the same color you used to fill the void in the spalted maple?
slaughtr
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AG
Quincey P. Morris said:

I take it it's the same color you used to fill the void in the spalted maple?


Correct. Most of that void will be gone with the cove bit treatment I have planned for the edge. I also plan to lightly color the top purple, if I can manage not to cover the spalting. The color scheme is purple and white. I had planned to put amethyst dots in, but my trial attempts proved they were too hard to sand.
Lathspell
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AG
Uh oh... Fender's gonna come after you!
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