NEW: Sony shifts some dates:
— Erik Davis (@ErikDavis) April 27, 2024
- #KravenTheHunter will now arrive in theaters on December 13, 2024
- #KarateKid will now arrive in theaters on May 30, 2025
Added:
- #TheyListen - 8/30/24
- #AnimalFriends 8/15/25 pic.twitter.com/6bVy2zIyre
*** MOVIE TRAILERS & RELEASE DATES ***
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Last: 1 day ago by TCTTS
TCTTS said:
Mufasa: The Lion King
https://www.imdb.com/title/tt13186482/
December 20, 2024
Theatrical Exclusive
- Introducing Blue Ivy Carter as Kiara, daughter of King Simba and Queen Nala
- And Beyonc Knowles-Carter as Nala
Please pass the cyanide.
Life is better with a beagle
TCTTS said:
It sounds like he's potentially coming back, I just don't think he's been confirmed yet. No one knows for sure, though. As of now he is, at least, officially a producer on the project.
CILLIAN MURPHY will not appear in 28 YEARS LATER, but is set to return for the sequels (Part II and III)https://t.co/yyib9zGZta pic.twitter.com/4iH2nA6tFv
— Reel Updates (@worldofreel) April 27, 2024
The most wicked combo since Sam and Cheers.
— Apple Original Films (@AppleFilms) April 29, 2024
Matt Damon and Casey Affleck team up in the new film The Instigators, coming August 9. pic.twitter.com/hJlIt5GS1z
Francis Ford Coppola has been dreaming of making #Megalopolis for decades. Now ‘The Godfather’ and ‘Apocalypse Now’ director is ready to show it off.
— VANITY FAIR (@VanityFair) April 30, 2024
Take an exclusive first look at the film: https://t.co/wJ20twOBsP
EXCLUSIVE: Warner Bros is negotiating to close a seven figure film rights deal for ‘Avengelyne.’
— Deadline Hollywood (@DEADLINE) April 30, 2024
Deadline hears Margot Robbie is eyeing to star as the title character (subject to script), Olivia Wilde will direct, and Poor Things scribe Tony McNamara will write the screenplay… pic.twitter.com/6pJnsVZ5qC
Yes please.
Sydney Sweeney and Ana de Armas are working together in an upcoming movie ‘eden’ (2024) pic.twitter.com/hIJ8qffwr6
— Every Movie Plug 🎬 🔌 (@everymovieplug) April 30, 2024
The replies to that tweet are something else
I imagine they go something like "re-enact the best scene in Black Swan, please."
Neat-o news: The live-action MASTERS OF THE UNIVERSE will get a theatrical release from Amazon MGM. Date set for June 5, 2026. Via @miagaluppo https://t.co/AuCizTc0iD
— Borys Kit (@Borys_Kit) May 2, 2024
8 year old me has 44 year old me excited about this.TCTTS said:Neat-o news: The live-action MASTERS OF THE UNIVERSE will get a theatrical release from Amazon MGM. Date set for June 5, 2026. Via @miagaluppo https://t.co/AuCizTc0iD
— Borys Kit (@Borys_Kit) May 2, 2024
Man, this looks good. Having served in war zones, I can say combat journalists are a different breed of human.TCTTS said:
Lee
https://www.imdb.com/title/tt5112584/
September 27, 2024
Theatrical Exclusive
Also excited to see Andy Samberg's range here. I've always wondered what he could do given the chance at more serious roles. He has an "everyman" quality about him.
The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...
Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA
From Coppola himself...
Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA
From Coppola himself...
Quote:
"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."
Do people actually talk about themselves like this?TCTTS said:
The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...
Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA
From Coppola himself...Quote:
"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."
When you've made The Godfather and Apocalypse Now, you get a little extra leeway in the pretentiousness department - along with a sizable ego, I'm sure. That said, coming from an old man finally getting to make his dream project - again, funded on his own dime by the sale of a significant portion of his wine empire (a deal reportedly worth over $500M), as crazy as he or the movie might be, I find his words weirdly endearing in this instance.
he has mostly a cast of people who pride themselves on being kind of wierd...so should be an interesting and uncomfortable movie.
And Francis goes on to say "I have many leather-bound books and my apartment smells of rich mahogany"
FYI .. Francis Ford Coppola's wife died three weeks ago.
https://www.nbcnews.com/news/obituaries/eleanor-coppola-wife-francis-ford-coppola-matriarch-family-filmmakers-rcna147670
https://www.nbcnews.com/news/obituaries/eleanor-coppola-wife-francis-ford-coppola-matriarch-family-filmmakers-rcna147670
Quote:
"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."
Billy Madison's explanation of the Industrial Revolution using The Puppy Who Lost His Way as the point of reference is less insane than this pile of horse****.
Never been to an art show, have you?BassCowboy33 said:Do people actually talk about themselves like this?TCTTS said:
The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...
Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA
From Coppola himself...Quote:
"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."
fig96 said:Never been to an art show, have you?BassCowboy33 said:Do people actually talk about themselves like this?TCTTS said:
The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...
Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA
From Coppola himself...Quote:
"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."
Is it that obvious?
Blanco Jimenez said:8 year old me has 44 year old me excited about this.TCTTS said:Neat-o news: The live-action MASTERS OF THE UNIVERSE will get a theatrical release from Amazon MGM. Date set for June 5, 2026. Via @miagaluppo https://t.co/AuCizTc0iD
— Borys Kit (@Borys_Kit) May 2, 2024
They actually going to sprinkle a little bit of He-Man in this one or just showcase a lesbian version of Teela again?
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I was very "meh" on the first trailer, but that looks like a helluva good time!Brian Earl Spilner said:
You can't top the best scene of the original, when Mr. Strickland from Back to the Future overwhelmed Skeletor's forces with a shotgun.agdoc2001 said:Blanco Jimenez said:8 year old me has 44 year old me excited about this.TCTTS said:Neat-o news: The live-action MASTERS OF THE UNIVERSE will get a theatrical release from Amazon MGM. Date set for June 5, 2026. Via @miagaluppo https://t.co/AuCizTc0iD
— Borys Kit (@Borys_Kit) May 2, 2024
They actually going to sprinkle a little bit of He-Man in this one or just showcase a lesbian version of Teela again?
Life is better with a beagle
dbryanc87 said:I was very "meh" on the first trailer, but that looks like a helluva good time!Brian Earl Spilner said:
Yep, definitely a better trailer than the first one.
This movie and Devil in the White CIty movie that Leo was trying to make for a long time are two that I have kept tabs on.TCTTS said:
The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...
Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA
From Coppola himself...Quote:
"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."
At least this one is getting made, the last I saw is the other is going to now be a tv show and Leo isnt even going to be in it. If he had actually made the movie AND been Dr. Holmes, that would have been very interesting.
Agree, much better. The fireworks and fire in the tornado look cool as hell.
