Zombie Jon Snow said:
Macarthur said:
Zombie Jon Snow said:
you don't need to ... way too obscure for frontman discussion
Benny - Tool
Macarthur - Maynard James Keenan of Tool and A Perfect Circle
You think Maynard is too obscure for discussion?
I like Tool but....yeah. 4 studio albums in like 25 years. Haven't put one out in 13 years. rarely played on mainstream rock stations. Barely tour any more - in the last 8+ years they've played a handful (12ish) of concerts in most years and a few festivals and more Europe dates than anywhere else. Several years they have not played at all.They also aren't on itunes so a whole generation doesn't know anything about them.
Doesn't affect his quality as a frontman I suppose - but too obscure imho for people to know enough about him/them to garner much consideration in this discussion. Most won't know enough about them and won't have seen them live.
I actually think this fact makes them even more remarkable.
https://www.rollingstone.com/music/music-features/why-people-still-care-about-tools-new-album-202991/So, like Guns N' Roses' fabled 2008 LP, is this just another case where the project's absence is its main point of interest? I don't think so. This one feels different. Unlike
Chinese Democracy, where fans and critics alike fixated on the increasingly farcical spectacle of its nonexistence as much as the prospect of what it could sound like, this is an album people actually seem to care about on a purely musical level. And here's why: Because Tool really are that ****ing good.
Tool's four albums to date contain some of the richest, most immersive rock music of the past 25 years. And what should by all appearances be a cult band is actually a mainstream juggernaut: The band's prior two albums debuted at Number One; the one before that came in at Number Two. Considering the contents of these releases, the wholly unreasonable demands they put upon a listener's time and attention span, those figures are staggering. Tool's music isn't just dark or perverse; it's radically ambitious, of a kind not seen since the gatefold double-LP days.
So why then, after such a long wait, do we still care? Because no other band on earth could possibly fill this void. It's not just that no active band really sounds like Tool; it's that no active band's sonic and conceptual universe feels anywhere near as vast. Eccentricity and mystery are qualities severely lacking in the world of Big Rock. Metallica are still making powerful records; U2 are still scratching that itch; Foo Fighters are still the Foo Fighters; Queens of the Stone Age are masters of their own offbeat niche. But none of these acts nor anyone else in 2018 is equipped to spin your head around and leave your third eye pried wide open.