1) Memories of Ice (Malazan #3) by Steven Erikson - B+
2) Foucault's Pendulum by Umberto Eco - C (revised down from C+ after some time to think about it)
3) The Nutmeg of Consolation (Aubrey/Maturin #14) by Patrick O'Brian - A-
4) House of Chains (Malazan #4) by Steven Erikson - B+
5) The Library at Mount Char by Scott Hawkins - B-
I have mixed feelings about this book. The first two-thirds (out of 400 pages) was a ton of fun to read, even if Hawkins occasionally walks a little too close to that Palahniuk line of being shocking for its own sake. But the climax of the story happens about page 270 and the third act just......drags......on. It makes sense thematically, but this would have been a better book if that last 130 pages was condensed to 60-80. Overall, though, I had a generally positive impression.
6) The Maltese Falcon by Dashiell Hammett - A
This is a classic for a reason. Every cliche of the hardboiled genre is in here, but it's mostly because this book helped invent the cliches. Fast paced, concise writing (a lost art in almost any genre), unique and powerful characters, sharp dialogue, and a great story.
7) The Truelove (Aubrey/Maturin #15) by Patrick O'Brian - A-
The insular world of a Royal Navy ship always allows for close character study, but this entry in the series was more introspective than most. There were no major fleet actions (no ship v. ship) like these books usually have, and the only ground battle happens off screen. Instead, it asks the question, what happens when you take a ship of 300 men, 6000 miles from home, bound by naval law and cultural propriety, and put one woman on board? O'Brian uses this scenario to talk about unique aspects of male and female psychology and group dynamics, but with his usual graceful style. These books are never boring. O'Brian is just too good for that.
8) Midnight Tides (Malazan #5) by Steven Erikson - in progress