I faced end of life decisions with my mom & I interact with patients facing them frequently. They are both very complicated...and surprisingly simple.
MDB did not present them as "pull the plug dad", but neither did the movie focus on the them. The movie focused on 2 people, broken because they did not have a healthy parent-daughter relationship, who developed an unspoken surrogate parental relationship. The extremeness of the end of life scenes brought home the fact that Clint's gruff character was the parent who loved and cared for Swank's - caring for her daily, searching for any medical care or clinical trial that might be able to help her, the family that the medical professionals called when she tried to commit suicide. This was a relationship that grew not because of "sharing feelings", but grew out of a mutual respect for the others ability and character.
In essence, it is an almost prototype for a well done tragic love story with the twist being that it is the love between parent and child versus romantic love. IMO, one of the best aspects of the film is that it did not talk to death what the characters were thinking, feeling, going through. Doing so made the film more honest to me, but it may have left a situation in which all the details surrounding the end of life issues at the end were not explicitly stated.
[This message has been edited by tick (edited 7/26/2005 11:27a).]