I think my first CD was the Lion King soundtrack.
Gross!C@LAg said:If I did, then YOU'D be slippery when wet.YouBet said:
My first CD purchase was Bon Jovi Slippery When Wet in 1986.
Come at me.
91_Aggie said:
I think my first "album" purchase was Cassette of Rush Power Windows.
My first CD was Queensryche Operation Mindcrime
free_mhayden said:
Living Colour was the band.
In Living Color was the Wayans TV show.
Rudyjax said:free_mhayden said:
Living Colour was the band.
In Living Color was the Wayans TV show.
Go it right above. May have gotten it wrong while drinking the other night.
Edit: No. I got it right both times.
Edit 2: Forgot the u. My bad.
Agreed.Bruce Almighty said:
It's a thread about Milli Vanilli. I'm impressed it stayed on topic as long as it did.
Aust Ag said:
This thread has now nothing to do whatsoever with topic
Columbia house has carcass and morbid angel? I certainly don't remember that!Counterpoint said:
I think I got ALL the CD's yall are mentioning (yes even the old dance stuff and death metal stuff) from BMG and Columbia House.
they give best songwriter Grammys all the time to writers who the public have no idea is.aTmAg said:
To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
They don't only give awards to the song writer. Song of the Year goes to song writer, Record of the Year goes to performing artist, producer, etc. There is also best male pop performance, best new artist (which is what Milli Vinilli won), etc.62strat said:they give best songwriter Grammys all the time to writers who the public have no idea is.aTmAg said:
To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
My heart will go on, change the world, royals, from a distance... all given to the writer(s) of the song, not the famous person who sang it.
THen you have all the best country and pop songs, often the winner is an unknown writer.
I don't watch the Grammys, but I can only guess the 'singer' doesn't go up to accept, unless they were actually on the writing team right?
I know, but you're saying if it were about he music they'd give it to the songwriters. I'm telling you, for song of the year, they do.aTmAg said:They don't only give awards to the song writer. Song of the Year goes to song writer, Record of the Year goes to performing artist, producer, etc. There is also best male pop performance, best new artist (which is what Milli Vinilli won), etc.62strat said:they give best songwriter Grammys all the time to writers who the public have no idea is.aTmAg said:
To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
My heart will go on, change the world, royals, from a distance... all given to the writer(s) of the song, not the famous person who sang it.
THen you have all the best country and pop songs, often the winner is an unknown writer.
I don't watch the Grammys, but I can only guess the 'singer' doesn't go up to accept, unless they were actually on the writing team right?
I understand what you are saying. However, Milli Vinilli won best new artist though. So what I'm saying that if that award was about the music rather than some vague "general performance" criteria, then they would have granted it to the actual musicians. To me, a problem with pop today is that it's 90% hype and 10% talent. Sure you have the occasional Adelle who get there on talent alone, but that seems too rare nowadays.62strat said:I know, but you're saying if it were about he music they'd give it to the songwriters. I'm telling you, for song of the year, they do.aTmAg said:They don't only give awards to the song writer. Song of the Year goes to song writer, Record of the Year goes to performing artist, producer, etc. There is also best male pop performance, best new artist (which is what Milli Vinilli won), etc.62strat said:they give best songwriter Grammys all the time to writers who the public have no idea is.aTmAg said:
To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
My heart will go on, change the world, royals, from a distance... all given to the writer(s) of the song, not the famous person who sang it.
THen you have all the best country and pop songs, often the winner is an unknown writer.
I don't watch the Grammys, but I can only guess the 'singer' doesn't go up to accept, unless they were actually on the writing team right?
Except for a few rare cases, it seems that most pop musicians are presenting themselves as something they are not. I saw an old video of Lady Gaga when she was a nobody. She was equally talented, but not yet ****ted up. Back when I was young, Cyndi Lauper and Madonna were basically twins. Madonna chose to do stuff like put out her Sex book where Lauper did not. Obviously, Madonna's career took off, and Lauper is a mere footnote. It seems that, unless you have Adelle or Celine Deon level talent, you have to do something outrageous to get noticed to get anywhere in pop. Lots of artists use auto-tune and tons of other production tricks to sound way better than they really do. It's all a lie of some sort. It just a matter of degree. How far does the lie gotta go before it becomes Grammy strip worthy?Bruce Almighty said:
I understand where aTm is coming from, but that brings up another problem. Should the real singers be awarded even though they were part of the lie?
Quote:
I actually think the original Milli Vinilli songs were pretty damned good. I wish those guys were given an opportunity to make another album (maybe they were, and I am unaware). To me, the fact that their careers went nowhere, is a condemnation of the music buying public. The fact we buy albums when the musicians look like models, but not when they are ugly, shows us to be shallow. Another example is Heart (the group). They were selling albums when they were hot, but when one sister started getting fat, their sales slumped. Their music wasn't any worse. They just didn't look as good on music videos. To me, that is pathetic.
(BTW.. just in case anybody asks... I am not musician who failed to hit it big. The only music talent I have is the ability to whistle. I'm not sure why this trend annoys me. I'm glad I can be ugly as hell in my chosen industry. Otherwise, I'd be screwed.)
Rant over.
They won best new artist, because those two guys were the 'artists'. The songwriter behind the scenes is not the artist. I mean, looking up a best new artist - Meghan Trainor. Every song on her album was written by her and the producer, kevin kadish. Did he get a share in that grammy? No, because he's not the artist. Leann Rhimes won best new artist, and her first album didn't have one song written by her.. but only she won the grammy.aTmAg said:I understand what you are saying. However, Milli Vinilli won best new artist though. So what I'm saying that if that award was about the music rather than some vague "general performance" criteria, then they would have granted it to the actual musicians. To me, a problem with pop today is that it's 90% hype and 10% talent. Sure you have the occasional Adelle who get there on talent alone, but that seems too rare nowadays.62strat said:I know, but you're saying if it were about he music they'd give it to the songwriters. I'm telling you, for song of the year, they do.aTmAg said:They don't only give awards to the song writer. Song of the Year goes to song writer, Record of the Year goes to performing artist, producer, etc. There is also best male pop performance, best new artist (which is what Milli Vinilli won), etc.62strat said:they give best songwriter Grammys all the time to writers who the public have no idea is.aTmAg said:
To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
My heart will go on, change the world, royals, from a distance... all given to the writer(s) of the song, not the famous person who sang it.
THen you have all the best country and pop songs, often the winner is an unknown writer.
I don't watch the Grammys, but I can only guess the 'singer' doesn't go up to accept, unless they were actually on the writing team right?
Which further supports my point that the Grammys (really music industry as a whole) is a joke. Get somebody smoking hot who can perhaps sing okay, have them "record" an album with the help of auto-tune and a crap load of sound engineers to make it sound decent, teach them to dance and dress provocatively and take it to the road. Have them perform to pre-recorded versions of their songs and shallow fans will eat that up. If they hit it big enough, they likely win a Grammy.62strat said:They won best new artist, because those two guys were the 'artists'. The songwriter behind the scenes is not the artist. I mean, looking up a best new artist - Meghan Trainor. Every song on her album was written by her and the producer, kevin kadish. Did he get a share in that grammy? No, because he's not the artist. Leann Rhimes won best new artist, and her first album didn't have one song written by her.. but only she won the grammy.aTmAg said:I understand what you are saying. However, Milli Vinilli won best new artist though. So what I'm saying that if that award was about the music rather than some vague "general performance" criteria, then they would have granted it to the actual musicians. To me, a problem with pop today is that it's 90% hype and 10% talent. Sure you have the occasional Adelle who get there on talent alone, but that seems too rare nowadays.62strat said:I know, but you're saying if it were about he music they'd give it to the songwriters. I'm telling you, for song of the year, they do.aTmAg said:They don't only give awards to the song writer. Song of the Year goes to song writer, Record of the Year goes to performing artist, producer, etc. There is also best male pop performance, best new artist (which is what Milli Vinilli won), etc.62strat said:they give best songwriter Grammys all the time to writers who the public have no idea is.aTmAg said:
To me, this is an example of how the Grammys are a joke. If it were just about the music, then they would have given Milli Vinilli's award to the ex-convicts who actually recorded the music. I would have respected that. But since Grammy's are really nothing more than a popularity contest designed to get people to watch an award show, they have to give it to people who bring viewers. The last thing they can do is give it to unknowns (even if they have real talent). So to pretend it's a real award, they have to claim it's about the "overall presentation/experience" and whatnot.
My heart will go on, change the world, royals, from a distance... all given to the writer(s) of the song, not the famous person who sang it.
THen you have all the best country and pop songs, often the winner is an unknown writer.
I don't watch the Grammys, but I can only guess the 'singer' doesn't go up to accept, unless they were actually on the writing team right?
You're not making any sense.
There is only ONE grammy that goes solely to the song writers, it's song of the year. Record of the year goes to artist and production team, album of year goes to artist and production team, and best new artist is solely for the artist, aka the singer/band.
If milli vanilli won song of the year, you'd have an argument here, but they didn't. If that song won song of the year, then those dudes would have received a grammy. But it didn't win song of the year.