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I'm about as white as they come and a proud Texan of Czech descent . As said before Tejano music has roots in the melding of immigrant music not only south of the border but from the old land too. This thread has reaffirmed my faith in two things . One some people only think good music is what they like . Two some people realize good music transcends a lot of boundaries and preconceived notions if given a chance . What Doug Sahm and Augie Meyers were doing from the 60's and beyond was pretty groundbreaking stuff and some of you would do well to go revisit it (no I wasn't alive then) .
The contemporaries of those guys are household names I'm sure many of you revere. I'm sure if asked they would credit them with being major influences. Think I'll listen to some Sir Douglas this weekend .
I was lucky enough to grow up in South Texas back when the big name country acts still toured dance halls. My parents drug me and my brother to every little place from Kingsville to El Campo every time they could.
One of my favorite memories was seeing Freddie Fender in Kenedy and he brought up Flaco Jimenez for a set, nearly 20 years before the Tornadoes. The crowd was 50/50 brown and white and the show reflected that. There were Some great old Tejano jams mixed with Freddie's hits plus the occasional rock song. The best part was no set list. They just played what they felt.
My grandpa owned a dance hall in El Campo, from the late 60s until 1998 that hosted all the old school country western guys (Ernest Tubb, Hank Jr, Buck Owens, Loretta Lynn), along with all the Tejano acts. Little Joe Y la familia, Mazz, La mafia, and Selena all played there frequently as they were gaining widespread fame.
I was pretty young when he still owned it but I still love the music.