NEW: Sony shifts some dates:
- #KravenTheHunter will now arrive in theaters on December 13, 2024
- #KarateKid will now arrive in theaters on May 30, 2025
Added:
- #TheyListen - 8/30/24
- #AnimalFriends 8/15/25 pic.twitter.com/6bVy2zIyre

— Erik Davis (@ErikDavis) April 27, 2024

Mufasa: The Lion King
https://www.imdb.com/title/tt13186482/
December 20, 2024
Theatrical Exclusive

TCTTS said:

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It sounds like he's potentially coming back, I just don't think he's been confirmed yet. No one knows for sure, though. As of now he is, at least, officially a producer on the project.

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CILLIAN MURPHY will not appear in 28 YEARS LATER, but is set to return for the sequels (Part II and III)https://t.co/yyib9zGZta pic.twitter.com/4iH2nA6tFv

— Reel Updates (@worldofreel) April 27, 2024

Francis Ford Coppola has been dreaming of making #Megalopolis for decades. Now ‘The Godfather’ and ‘Apocalypse Now’ director is ready to show it off.

Take an exclusive first look at the film: https://t.co/wJ20twOBsP

— VANITY FAIR (@VanityFair) April 30, 2024

EXCLUSIVE: Warner Bros is negotiating to close a seven figure film rights deal for ‘Avengelyne.’

Deadline hears Margot Robbie is eyeing to star as the title character (subject to script), Olivia Wilde will direct, and Poor Things scribe Tony McNamara will write the screenplay… pic.twitter.com/6pJnsVZ5qC

— Deadline Hollywood (@DEADLINE) April 30, 2024

The replies to that tweet are something else

Lee
https://www.imdb.com/title/tt5112584/
September 27, 2024
Theatrical Exclusive

Neat-o news: The live-action MASTERS OF THE UNIVERSE will get a theatrical release from Amazon MGM. Date set for June 5, 2026. Via @miagaluppo https://t.co/AuCizTc0iD

— Borys Kit (@Borys_Kit) May 2, 2024

TCTTS said:

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Lee
https://www.imdb.com/title/tt5112584/
September 27, 2024
Theatrical Exclusive

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Man, this looks good. Having served in war zones, I can say combat journalists are a different breed of human.

Also excited to see Andy Samberg's range here. I've always wondered what he could do given the chance at more serious roles. He has an "everyman" quality about him.

The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...

Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA



From Coppola himself...

Quote:

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"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."

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When you've made The Godfather and Apocalypse Now, you get a little extra leeway in the pretentiousness department - along with a sizable ego, I'm sure. That said, coming from an old man finally getting to make his dream project - again, funded on his own dime by the sale of a significant portion of his wine empire (a deal reportedly worth over $500M), as crazy as he or the movie might be, I find his words weirdly endearing in this instance.

he has mostly a cast of people who pride themselves on being kind of wierd...so should be an interesting and uncomfortable movie.

FYI .. Francis Ford Coppola's wife died three weeks ago.

https://www.nbcnews.com/news/obituaries/eleanor-coppola-wife-francis-ford-coppola-matriarch-family-filmmakers-rcna147670

BassCowboy33 said:

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TCTTS said:

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The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...

Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA



From Coppola himself...

Quote:

---

"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."

---

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Do people actually talk about themselves like this?

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Never been to an art show, have you?

fig96 said:

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BassCowboy33 said:

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TCTTS said:

---

The first, very odd, but very cool clip of Megalopolis, Francis Ford Coppola's magnum opus, one he's been trying to make for decades now (and finally financed himself), starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia LaBeouf, Dustin Hoffman, Jon Voight, Laurence Fishburne, Talia Shire, and Jason Schwartzman...

Megalopolis
https://www.imdb.com/title/tt10128846/
2024 TBA



From Coppola himself...

Quote:

---

"A man balances precariously on a ledge high above a once-grand city. The movie that follows is - at least in part - about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California's farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of myself a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir I have produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker's 85 years of age. I seem to have been born-again by a strike of filmic lightning, and the movie - no, the experience (complete with in-theater "live cinema") - that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase myself speaking decades ago about APOCALYPSE NOW, MEGALOPOLIS isn't a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, movingly, bestows on us a final image glowing with hope for the future."

---

---

Do people actually talk about themselves like this?

---

Never been to an art show, have you?

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Is it that obvious?

Despicable Me 4
https://www.imdb.com/title/tt7510222/
July 3, 2024
Theatrical Exclusive